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John Nelson, Lausanne Chamber Orchestra, Ensemble Vocal & Instrumental De Lausanne - Requiem, Etc: J.nelson / Lausanne Co Vocal Ensemble Lys B.taylor Dubois Muller-brachmann - Import CD

John Nelson, Lausanne Chamber Orchestra, Ensemble Vocal & Instrumental De Lausanne - Requiem, Etc: J.nelson / Lausanne Co Vocal Ensemble Lys B.taylor Dubois Muller-brachmann - Import CD

CD

Classical Music

Opera

2023年11月24日

Album

常规价格 HK$173.00
常规价格 促销价 HK$173.00
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Catalog No.: NYCX-10440

JAN/ISBN: 4589538806194

Number of Discs: 1

Country/Region of Manufacture: Import

Credits:

John Nelson, Lausanne Chamber Orchestra, Ensemble Vocal & Instrumental De Lausanne

Description:

Mozart "Requiem", first recording based on the new edition with Ostosiga's supplementary completion] John Nelson, who has a wide repertoire from Baroque to Romantic music and is highly acclaimed for his major Berlioz works, and the Lausanne Vocal Ensemble, known for their many masterful performances with Corbo. Mozart Live. The Requiem uses a supplemented and completed version by German composer Michael Ostsiga. Ostsiga's version was completed in 2019 and performed at the Rheingau Festival, and was subsequently recorded under the direction of Florian Helgert (COVIELLO CLASSICS), but this recording is the first time the score published by Bärenreiter in 2022 was used. The Ostsiga edition is based on the Jussmeyer edition, but as in the Beyer edition, the Jussmeyer oversimplifications and overly dramatic expressions have been eliminated, and the orchestration has been modified to reflect the influence of Handel and Bach, which were prominent in Mozart's later years, while referring to other religious works Mozart left behind. Many modifications were also made to the orchestration. The "Lacrimosa," "Sanctus," and "Benedictus" are also characterized by the fact that they give the performers a choice of manuscripts.Unlike the Helgert recording, Nelson has chosen to use a version similar to the Jussmeier version, with no Amen fugue for "Lacrimosa" and a D major manuscript for "Sanctus". However, especially after "Sanctus," the overblown expressions and phrases are mercilessly cut and the size of the music is changed, and there are many parts that are very different from the "Requiem" we are accustomed to hearing. Nelson's interpretation of the score is of a high quality, especially the vocalists, and the clear recording makes it possible to enjoy a very beautiful performance. Japanese commentary by Satoshi Otsu, lyrics translation by Tatsuo Shirasawa, and others, Naxos Japan

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