Musique en Wallonie
Reinhard Goebel - Torri: La Vanita Del Mondo - Import 2 CD
Reinhard Goebel - Torri: La Vanita Del Mondo - Import 2 CD
CD
Classical Music
Symphony
December 19, 2018
Will usually ship within 1~5 business days of receiving cleared payment.
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Catalog No.: NYCX-10029
JAN/ISBN: 4589538732387
Number of Discs: 2
Country/Region of Manufacture: Import
Credits:
Reinhard Goebel
Description:
Pietro Torli, who was active around the same time as Alessandro Scarlatti and Camprà—that is, a generation before Vivaldi and Bach—was an Italian composer who enjoyed great success as a court composer for the Elector of Bavaria, whose influence spanned Munich and Brussels. Essentially, every work by Torli that has been revived in modern times can be called a masterpiece… He was a genius who composed music rich in melodic beauty and dynamism, embodying the very essence of Italian music around 1700. From around the late 17th century, the music of the Southern Netherlands (later Belgium) underwent a unique development as French music—descending from the lineage of Lully—and Italian music, which musicians from Italy were gradually establishing, vied for dominance. Amidst this turmoil, Torli—who, alongside his Italian contemporary Fiocco, helped establish the appeal of Italian music in the region—composed the oratorio *The Vanity of the World*, premiered in 1706, a refined and substantial work that graced the season of Lent. Performed with an intimate ensemble consisting of just a single oboe, strings, basso continuo, and a small number of singers, this music was composed—much like the French *Leçon des Ténèbres*—for a time when extravagance was not permitted. However, this album features a landmark broadcast recording from 1988, and the lineup—featuring Musica Antiqua Köln at the height of its powers alongside a host of early music singers—is simply spectacular! This recording, made during a period when the group—known for its thrilling, dynamic performances born of a deep understanding of the subtleties of period instruments—was filled with virtuosos who would later go on to form their own ensembles, is absolutely not to be missed. It’s also worth paying close attention to the exquisite vocal performances by legendary singers such as Barbara Schlick and Direk Lee Leigin, who have been key figures in the revival of Baroque opera. The comprehensive liner notes—which include details on just how exciting the Brussels music scene was around 1700—are also a welcome addition (the Japanese edition includes a Japanese translation). Naxos Japan
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