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Tomasz Rytlewski - Beethoven:Piano Sonata, 1, 18, 30, : Tomasz Ritter(Fp) - Import CD
Tomasz Rytlewski - Beethoven:Piano Sonata, 1, 18, 30, : Tomasz Ritter(Fp) - Import CD
CD
Classical Music
17 ottobre 2025
Will usually ship within 1~5 business days of receiving cleared payment.
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Catalog No.: NYCX-10552
JAN/ISBN: 4589538825850
Number of Discs: 1
Country/Region of Manufacture: Import
Credits:
Tomasz Rytlewski
Description:
Beethoven by Thomas Rittel, winner of the 2024 Bruges Old Music Competition, playing three different instruments.
Tomasz Rittel, winner of two ancient music competitions, the 1st Chopin International Competition for Period Instruments in 2018 and the 2024 Bruges International Competition for Old Music in Bruges, was born in Poland in 1995 and studied at the Moscow Conservatory with Lubimov from 2014, and then in Hamburg He also studied in Hamburg. His debut album, recorded as a side prize in Bruges, is a fascinating collection of Beethoven's early, middle, and late sonatas, performed on instruments from the period of their creation, close to the year of their composition.
The booklet of the Japanese domestic edition will include a commentary by Mai Koshikenzawa and a contribution by Shigehiko Kawaguchi, who won second prize after Littell at the First International Chopin Competition for Period Instruments.
On Tomas Littell's Beethoven Album"--Narihiko Kawaguchi
When I heard this recording, I was shocked that Beethoven's piano sonatas sounded so much like symphonies. I myself was shocked to hear this recording. This was my impression of Beethoven's sonatas No. 1 and No. 18. The instruments of Beethoven's time have a unique tone character for each voice part compared to modern pianos.Rittel made full use of these characteristics, and in the way the various harmonies that make up the work sounded, he was highly conscious of the balance of each voice part. Such virtuosity made the piano sound like an orchestra, and I felt that the pianist Rittel had been sublimated into a conductor. His reading of the score beyond the piano as an instrument was embodied in the sound, and I was able to enjoy the works with a fresh feeling.
In Sonata No. 30, which is very different in nature from Sonatas No. 1 and No. 18, I could feel the unique tinge of "piano music," which is different from symphonic music, because the players empathize with the delicacy of the pronunciation system of percussion and the charm of sound decay.
(Excerpt from the booklet of the domestic edition)
Japanese commentary on the domestic edition by Shigehiko Kawaguchi and Mai Koshikenzawa
Naxos Japan
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