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François-Joseph Gossec, Rachaelon - Marais, Marin (1656-1728) Pieces De Viole Book 5 : Francois Joubert-Caillet(Gamb)L'Acheron (3Cd) - Import 3 CD
François-Joseph Gossec, Rachaelon - Marais, Marin (1656-1728) Pieces De Viole Book 5 : Francois Joubert-Caillet(Gamb)L'Acheron (3Cd) - Import 3 CD
CD
Classical Music
30 giugno 2023
Will usually ship within 1~5 business days of receiving cleared payment.
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Catalog No.: RIC451
JAN/ISBN: 4589538800864
Number of Discs: 3
Country/Region of Manufacture: Import
Credits:
François-Joseph Gossec, Rachaelon
Description:
The complete collection of published works, now complete! The French virtuoso François Joubert-Cailler, who since 2014 has taken on the unprecedented challenge of recording all of the 500 or so viol works published by the French Baroque master Marin Marais before his death, has finally released the fifth and final volume of the "Playing like an Angel" Marais' last years' compilation. The fifth and final volume has finally been released. While conducting the French Royal Orchestra, Marais was himself praised as a virtuoso viol player who "played like an angel," and was once heard playing in the bedchamber of Louis XIV, the Sun King, until he was about to fall asleep. Among his numerous viols, which were written in the style of the French court and with a unique style of writing, the fifth volume, published in his later years, is the culmination of Marais's life as a composer. Joubert-Cailler changes the combination of bass players and instruments for each suite, and his mastery of the music allows the listener to hear every detail with a high resolution and a sense of scale. His interpretation of the music is ever more brilliant, and his performances, ranging from small one-minute pieces to longer pieces such as the Poitou-style suite, are truly masterful and worthy of being called the definitive works of the new era.The famous "Cystolithotomy," played along with the reading of the explanation on the score, is also a work of such elegance that it accentuates the vividness of the scene as if it were a fine Baroque painting, and together with the exquisite basso continuo, it conveys the spirit of the Baroque court culture. The commentary (in French and English) by the performers themselves is once again well worth reading. Naxos Japan
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