Capriccio
Marcus Poschner, Linz Bruckner Orchestra - Bruckner (1824-1896) Symphony No.1 -Linz Version, Ed.Thomas Roeder : Markus Poschner / Linz Bruckner Orchestra - Import CD
Marcus Poschner, Linz Bruckner Orchestra - Bruckner (1824-1896) Symphony No.1 -Linz Version, Ed.Thomas Roeder : Markus Poschner / Linz Bruckner Orchestra - Import CD
CD
Classical Music
Symphony
11 de enero de 2024
Will usually ship within 1~5 business days of receiving cleared payment.
No se pudo cargar la disponibilidad de retiro
Catalog No.: C8092
JAN/ISBN: 4589538807665
Number of Discs: 1
Country/Region of Manufacture: Import
Credits:
Marcus Poschner, Linz Bruckner Orchestra
Description:
This is the 11th edition of #bruckner2024, an initiative of the CAPRICCIO label and the International Bruckner Society to record all Bruckner symphonies in their original versions in 2024, the bicentennial of Bruckner's birth. After the success of the F minor Symphony in 1863 and the Mass in D minor (No. 1) in 1865, Bruckner finally decided to make a name for himself as a symphonic composer. Bruckner began work on his first symphony in 1865, completed it in 1866, and gave its premiere in Linz in 1868. Bruckner later revised the work in 1877, and in 1887 he began a further revision process that culminated in the completion of the revised version in 1991. The former (first draft) is also known as the "Linz Draft" and the latter (second draft) as the "Vienna Draft. However, the "Linz Draft" published in both the Haas and Novak editions incorporated material from subsequent revisions.According to the original recording commentary by #bruckner2024 supervisor Paul Hawkshaw, the Thomas Leder edition used here is an attempt to reconstruct the appearance of the first performance by removing later revisions based on the parts from the 1868 premiere, as part of the New Bruckner Complete Edition, 2016 It was published in 2016 as part of the New Bruckner Complete Edition (NBG III/1:1/1). There is a precedent in the William Callaghan edition, recorded by Tintner and Schaller, for attempting to remove elements that have arisen in revisions since the Linz premiere. The differences are noteworthy. The piece is in four classical movements. The music is in four classical movements, with a German Romantic style, but with occasional Brucknerian touches of his later years. Poschner's sound is tight and figurative, and in the Adagio, Bruckner's typical lyricism is fully appreciated. Naxos Japan
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