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Yefim Bronfman - Shostakovich: Shosta Kovichi - Import 180g Vinyl LP Record

Yefim Bronfman - Shostakovich: Shosta Kovichi - Import 180g Vinyl LP Record

Vinyl Record

Classical Music

Concerto

September 15, 2022

Regular price $1.822,00 UYU
Regular price $2.025,00 UYU Sale price $1.822,00 UYU
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Catalog No.: 900204

JAN/ISBN: 4589538782597

Number of Discs: 1

Record Size: 12”

Country/Region of Manufacture: Import

Credits:

Yefim Bronfman

Description:

A compilation album from the "Maris Jansons Edition" (900200), originally released in 2021, is back on vinyl! “More and more people around the world are being captivated by Shostakovich’s music and moved to the very depths of their souls. Shostakovich’s music is unique. It serves as a testament to a painful era brought about by politics, while at the same time standing as a timeless expression born of fundamental human sensations and experiences. This is especially true for me,” said renowned conductor Mariss Jansons. This album features live recordings of two Shostakovich works from concerts held in 2011 and 2012. Shostakovich’s “Piano Concerto No. 1,” officially titled “Concerto for Piano, Trumpet, and String Orchestra,” is a work that also demands virtuosic technique from the trumpet soloist. Shostakovich completed this work in the summer of 1933, just a few weeks after finishing the opera *Lady Macbeth of Mtsensk*, and it is a masterpiece that fully showcases the immeasurable talent of the young, 26-year-old composer. The piano is performed by Yefim Bronfman, renowned for his exceptional technique, while the trumpet is played by Hannes Roibin, a veteran who serves as principal trumpet of the NDR Elbphilharmonie (formerly the North German Radio Symphony Orchestra in Hamburg) and remains active as a soloist today. Hannes Loibin, who served as principal trumpet of the NDR Elbphilharmonie (formerly the Hamburg North German Radio Symphony Orchestra) and remains active as a soloist today; Jansons’ agile conducting brings the entire work together, incorporating various satirical elements and quotations. Symphony No. 9 is the final work of the “War Trilogy,” which was premiered on November 3, 1945, by the Leningrad Philharmonic Symphony Orchestra under the baton of Yevgeny Mravinsky. Although it was expected to be a “Symphony of Victory,” it is in fact filled with satire and irony; this lighthearted work did not align with the wishes of government officials, who were seeking a piece akin to Beethoven’s Ninth. Jansons delivers a stylish interpretation of this work, rich in wit and irony. Naxos Japan

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