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Olga Pashchenko - Mozart:Piano Concerto No.20&23 - Import CD

Olga Pashchenko - Mozart:Piano Concerto No.20&23 - Import CD

CD

Classical Music

Concerto

July 5, 2024

Regular price 275,00 SEK
Regular price Sale price 275,00 SEK
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Catalog No.: ALPHA942

JAN/ISBN: 4589538812881

Number of Discs: 1

Country/Region of Manufacture: Import

Credits:

Olga Pashchenko

Description:

Mozart: The Greatest Works of Mozart Contents: 1-3. 1-3 Piano Concerto No. 20 in D minor, K. 466 (Cadenza: Olga Pasichenko) Piano Concerto No. 23 in A major, K. 488 (Cadenza: Mozart) Performers Olga Pasichenko (Forte Piano, Leader) Instrument: Paul McNulty's reproduction based on the model made by Anton Walter in Vienna circa 1792 Il Gardelino (using an ancient instrument) Concertmaster: Evgeny Sviridov (violin) Recorded June 6-9, 2021 at Concertgebouw, Brügge, Belgium Duration: 58 min. The long-awaited second in a series of recordings of Mozart piano concertos by Olga Pasichenko, a fortepianoist who has been active internationally while teaching at conservatories in Amsterdam and Ghent, and Il Gardelino, a group of talented Belgian old instrumentalists.The two selected pieces are No. 20, a masterpiece in D minor along with "Requiem" and others, and No. 23, in which a pair of clarinets instead of an oboe adds an impressive sound, both of which were written during Mozart's breakthrough period as a rare pianist in Vienna, when he soon achieved new success with "The Marriage of Figaro". Pasichenko is no longer an "aleatoric" pianist. Pashchenko, who no longer needs to be introduced as a "student of Alexei Lyubimov," has a strong presence at the forefront of the European music scene, and his performance of this work is superbly fresh, with exquisite movement from the bass passage in the opening general part, and a continuous dialogue with the experienced players to draw out the story of each piece. From the breathtaking cantilena in the slow movement to the persuasive Allegro, there was no shortage of things to listen to, including a unique cadenza filled with fantasy in the D minor concerto. The other players also make full use of the subtle nuances and vivid accents unique to the sounds of ancient instruments, and their interpretations clearly demonstrate their consistent attitude of "thinking of these concertos as operas, and recognizing all the instruments as protagonists" (Pasichenko, from the commentary on this disc).The wind players, including De Vinne on traverso, Ponserre on oboe, and Bourdos on clarinet, are also world-class musicians. The recording by J-D. Noir, who is also active in the HAYDN2032 series on the same label, takes into account the subtleties of the ancient instruments. (Naxos Japan)

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