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Zbigniew Pilch - Bach:6 Suites For Cello Arranged For Solo Violin - Import 2 CD
Zbigniew Pilch - Bach:6 Suites For Cello Arranged For Solo Violin - Import 2 CD
CD
Classical Music
Symphony
August 30, 2024
Will usually ship within 1~5 business days of receiving cleared payment.
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Catalog No.: ACD337
JAN/ISBN: 4589538813895
Number of Discs: 2
Country/Region of Manufacture: Import
Credits:
Zbigniew Pilch
Description:
Bach Romantiques Contents Bach: Suite for unaccompanied cello [arranged for unaccompanied violin by Ferdinand David (1810-1873) CD1] 1-6. 1-6. suite No.3 in G major (original key: C major) BWV 1009 7-12. suite No.4 in B-flat major (original: E-flat major) BWV 1010 13-18. suite No.5 in G minor (original: C minor) BWV 1011 CD2] 1-6. 1-6. suite No.1 in D major (original: G major) BWV 1007 Suite No.2 in A minor (original key: D minor) BWV 1008 13-18. suite No.6 in D major BWV 1012 19. Sonata for Violin solo a minor BWV 1003- I. Grave Performer Zbigniew Pilf (Violin) Early 19th century, Made in France A=432Hz Recorded: July 15-18, 2023 Main Hall of the National Forum of Music in Wrocław (Wrocław, Poland) Total recording time: 151 min. A new set explores how the unaccompanied cello suites sounded during the Bach Renaissance of the 19th century. Just as Mendelssohn's revival of the Matthew Passion made Bach's greatness known, there were performers who recognized the value of Bach's unaccompanied cello suites and worked to have them widely performed. However, as a violin piece. Ferdinand David, who was a friend of Mendelssohn's, gave him advice in the composition of his violin concerto, and gave the first successful performance of it as soloist. He transposed Bach's unaccompanied cello suites for violin students in Leipzig (leaving only No. 6 in its original key) and "revised" them by writing tempo and other performance instructions in various places and by changing the notes. These are more than transcriptions for different instruments, and some of them sound strange and arbitrary when heard today.However, Bilf, who is also an antiquarian instrumentalist, faithfully and sincerely tackled these issues, applying gut strings to an instrument made in France in the early 19th century, and extensively researching and studying the texts and instructional manuals of the time when David's instructions lacked specificity. David's instructions lacked specificity, and I researched extensively in the texts and books of the time to find the best way to play the pieces. First of all, you have to forget the things of modern life that did not exist in the 19th century." Bilf's detailed discussion in the original commentary (12 pages each in English and Polish) is also worth reading. (Naxos Japan)
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