Altus
Mozart (1756-1791) - Requiem : Nikolay Golovanov / Moscow Radio Symphony Orchestra & Choir - Import CD
Mozart (1756-1791) - Requiem : Nikolay Golovanov / Moscow Radio Symphony Orchestra & Choir - Import CD
CD
Classical Music
Requiem
July 21, 2022
Will usually ship within 1~5 business days of receiving cleared payment.
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Catalog No.:ALT517
JAN/ISBN: 4543638005178
Number of Discs: 1
Country/Region of Manufacture: Import
Credits:
Mozart (1756-1791)
Description:
Golowanov, the man, a monstrous performance in the midst of monstrous performances! The ultimate performance that stirs the heart and invites you to a different world. The true form of Golowanow's performance was revealed by the pitch modification of the "Great Moturek", who pushed the limits and put everything into his music! Until now, Golovanov's Motorek has been so imperfectly pitched that the pitch of the notes changed from track to track, and the true magnificence of the music has not been fully conveyed to the public, which is why Golovanov's Motorek has never been very popular. This disc is perhaps the first "pitch-corrected" version of this ultimate performance, and is intended to reintroduce it to the world. The original tempo and acoustic balance have been restored, and the atypicality of the music has become even more apparent. This unprecedented performance is sure to take the listener to a different world, a stronger, deeper, and more dangerous realm. Golowanow easily overcomes the limits of what music can express, and pushes forward into unexplored lands far into the distance. The chorus, soloists, and orchestra all burst into flames like a ball of fire, throwing everything they have into the music, and delivering an astonishing performance. The full-throttle trombones in "Tuba mirum," the bizarre darkness of "Lacrimosa," and the dazzling brilliance of "Sanctus" are all sounds that can never be heard anywhere else, sounds that no one has ever thought of before, and it is an extraordinary Motorek. The "Day of Tears" is perhaps the most impressive of all the pieces. The tempo is very slow.The violin has been changed to a solo, which is played in a very sad manner. The chorus seems to be singing with tears in their eyes, and the tears seem to fall on the floor and get wet. The long fermata at the end is also very Golowanow-like. What he wanted most was to move people's hearts. I can vividly feel the attitude in which he devoted his whole self to this.
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