CPO
Beethoven (1770-1827) - "Comp.piano Concertos: Korstick(P)Trinks / Vienna Rso +violin Concerto, Woo, 4, Etc" - Import Vinyl 7 LP Record
Beethoven (1770-1827) - "Comp.piano Concertos: Korstick(P)Trinks / Vienna Rso +violin Concerto, Woo, 4, Etc" - Import Vinyl 7 LP Record
Vinyl Record
Pop
J-Pop/Enka
June 29, 2023
Will usually ship within 1~5 business days of receiving cleared payment.
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Catalog No.:555582
JAN/ISBN: 4589538802011
Number of Discs: 7
Record Size: 12”
Country/Region of Manufacture: Import
Credits:
Beethoven (1770-1827)
Description:
Michael Korstik's highly acclaimed Beethoven: The Complete Piano Concertos is now available on LP! The complete Beethoven piano concertos are usually No. 1 through No. 5, but this Korstic collection includes the Rondo in B-flat major WoO 6, the finale of the first draft of No. 2, the piano version of the violin concerto (No. 7 on this CD), and the concerto section in D major, which Beethoven is said to have composed in about 1814-15. In addition to the piano version of the violin concerto (No. 7 on this CD) and the D major concerto section (No. 6 on this CD), which Beethoven is said to have composed around 1814-15, the CD also includes the E flat major concerto that he composed when he was around 14 years old. The "No. 0" in E-flat major WoO 4, written by a young composer, has lost its orchestral part and only the piano part is transmitted. An example of orchestration of this piece is that by Swiss composer Willi Hess, but here, at Korstic's suggestion, a new orchestration was commissioned from conductor and musicologist Hermann Dechant. Two bassoons, which were not in Hess's version, were added with reference to No. 4. In the last movement, two trumpets and timpani were added, resulting in a concerto with a magnificent sound and a performance time of approximately 26 minutes.The cadenza is based on Dechant's work and was modified by Korstic. In 1986, Nicholas Cook, a British musicologist, completed the work as an independent movement by referring to other sketches. Hermann Dechant added a cadenza and coda to Cook's version, and Korstic made his own modifications to the score (performance time: 13:57). In Nos. 1 through 5, which should be considered the main focus of the program, both the piano and orchestra adopt a period style with a low use of pedals and vibrato, while still maintaining the symphonic sound appeal typical of modern instruments. The fast movement develops dramatically at a tight tempo, while the slow movement sings the melody softly with a soft sound. Naxos Japan
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