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Handel (1685-1759) - Rodelinda : Bellorini, Emmanuelle Haim / Le Concert d'Astree, Jeanine de Bique, Tim Mead, Hulett, Amereau, etc (2018 Stereo) - Import Blu-ray Disc

Handel (1685-1759) - Rodelinda : Bellorini, Emmanuelle Haim / Le Concert d'Astree, Jeanine de Bique, Tim Mead, Hulett, Amereau, etc (2018 Stereo) - Import Blu-ray Disc

Blu-ray Disc

Classical Music

October 25, 2019

Regular price 9.700 Ft
Regular price Sale price 9.700 Ft
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Catalog No.:9029541988

JAN/ISBN: 190295419882

Number of Discs: 1

Region: free

Country/Region of Manufacture: Import

Color: Colour

Credits:

Handel (1685-1759)

Description:

Critically acclaimed live opera footage of one of Handel's most emotionally complex operas, "Rodelinda," Antonio Salvi's libretto based on Corneille's tragedy "King Lombardo," and Nicola Francesco Heim's adaptation for Handel, also a "hero opera. The drama centers on the hero Rodelinda's loyal love for her husband. Rodelinda, who swore fidelity to her dead husband and protected her only son, is confronted with trials from Grimoaldo (the man who sent her husband to his death) and his black-hearted subordinate Garibaldo, who presses her to marry him, and Rodelinda's husband Bertaldo, thought dead, is actually not dead and appears before Rodelinda's eyes. The story is full of ups and downs. Completed on January 20, 1725 and premiered on February 13, 1725 at the King's Theatre Haymarket, it was performed 13 times during the 1725 season and again 8 times in December of that year. The opera was a great success.It is from the period when Handel went to England to produce such substantial works as "Julius Caesar," and is rich both musically and in content, with each character, from the main character to the supporting characters, sung by their own substantial arias. In this production, Janine de Vic, a soprano singer from Trinidad and Tobago who is rapidly gaining a reputation, takes the role of Rodelinda with great emotion. Countertenor Tim Meade is highly acclaimed for his gorgeous, stylish, and graceful singing. Benjamin Hewlett in lyrical tenor singing. Andrea Mastroni in regal bass. Avery Amlow in soft and warm contralto. And now the increasingly popular countertenor Jakub Yusef Orlinski! and a wonderful cast of singers. Jean Bellorini's stage direction, which is not modern or eccentric but very simple, does not interfere with these singers, and was highly praised for "the beauty of the work, the costumes, lighting, and decorations, and the respect it shows for the singing.Of course, Emanuel Ayim's conducting has also been praised, "showing evidence of an intimate connection with the music, passion, and commanding in a way that is all about heart-wrenching expression." Warner Music Japan

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