Naxos
Adam Fischer - Haydn:Symphony No.102,103&104 - Import CD
Adam Fischer - Haydn:Symphony No.102,103&104 - Import CD
CD
Classical Music
Symphony
October 11, 2024
Will usually ship within 1~5 business days of receiving cleared payment.
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Catalog No.: 8574519
JAN/ISBN: 4945604745192
Number of Discs: 1
Country/Region of Manufacture: Import
Credits:
Adam Fischer
Description:
Adam Fischer's Fourth Re-recording of Haydn's Late Symphonies! Adam Fischer, the only conductor who has recorded all of Haydn, Mozart, Beethoven, Brahms, and Mahler's symphonies, started a series of re-recordings of Haydn's late symphonies to celebrate his 25th year as the principal conductor of the Danish Chamber Orchestra, and the "London Set", the 4th The fourth collection of the "London Set" is now available. The performances in this set are also unique in that they are full of power and playfulness, drawing on the experience and information gained from recent historical approaches, but also making full use of the various techniques of expression that Fischer has accumulated in his operas and orchestral performances, and also showing the depth of feeling that Haydn's works allow for the performers. The 102nd is a work that was written in 1795. No. 102 was premiered in 1795 at the King's Theatre in London as the first piece in the second part of the program of the first opera concert. The second movement features a solo cello. No. 103 is a work known as the "Drumroll" because of the long series of timpani in the opening and closing movements of the first movement. Haydn specified an E-flat roll for this timpani, but some conductors may add their own rhythms and sounds.Adam Fischer, too, has played the score exactly as it was written in the previous recording with the Austro-Hungarian Haydn Orchestra, but this time he has made an effort, and the performance is very lively, as if Fischer had given an important role to the timpani throughout the series. No. 104 is Haydn's grandest symphony, composed in London during his second triumphal visit. The wild expression of the middle section of the second movement reminds us of the era of "gale-force winds," and it is an imposing work that can be considered the culmination of Haydn's symphonic works. Naxos Japan
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