Piano Classics
Pedro Piquero - Turina:Piano Works - ImportCD
Pedro Piquero - Turina:Piano Works - ImportCD
CD
Classical Music
November 26, 2024
Will usually ship within 1~5 business days of receiving cleared payment.
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Catalog No.: PCL10215
JAN/ISBN: 5029365102155
Number of Discs: 1
Country/Region of Manufacture: Import
Credits:
Pedro Piquero
Description:
Joaquin Turina [1882-1949]. [Includes. Picturesque Suite "Seville" Op.2 (1909) 1. the first piece "Under the Orange Tree" 6'15 2. 2nd "Midnight on Holy Thursday" 8'01 3. the 3rd piece "La Feria (The Festival)" 5'59 Five Gypsy Dances, Op.55 (1929) 4. 4. the first piece "Sambra" 3'43 5. 2nd "Dances of Temptation" 3'39 6. piece 3 "Ritual Dance" 2'56 7. piece 4 "Generalife Garden" 1'52 8. piece 5 "Sacromonte" 1'58 Fantasy Dances, Op.22 (1919) 9. 9. the first piece "Euphoria" 5'15 10. piece 2 "Dream (Fantasy)" 6'13 11. the 3rd "Feast" 5'25 Performers Pedro Piquero (Piano) Recorded: October 12~14, 2023, Palacio de Congresos, Villanueva de la Serena, Spain Andalusian composer Joaquin Turina [1882-1949], a pianist who grew up in Andalusia, wrote Andalusia-related piano music that incorporates visual elements, dances, rituals, and psychological states,A perfect album for Pedro Piquero. It comes in a digipak format, and the booklet (16 pages, English & Spanish) features commentary on each work by Carlos de Matesans, Spanish music critic and director of Radio Clásica, the Spanish Broadcasting Institute's (RTVE) specialized classical radio station. Two generations of father and son pursue folkloric art His father, Joaquín Turina y Areal [1847-1903], was a painter who painted Sevillian folk customs very beautifully in a realistic manner, and his influence on Turina's musical works is significant. Turina was also interested in photography as well as painting, and his estate included works by the Sevillian photographer Emilio Beauch Cano [1847-1928] (who also made photographic reproductions of his father's paintings). Influence of realistic art and photography of folk customs Initially inspired by the impressionistic approach of his studies in Paris, Turina eventually switched from a French orientation to a Spanish one as he interacted with Albéniz [1860-1909] and Falla [1876-1946], studied Andalusian folk music, and began to work on music inspired by folkloric material. He also studied Andalusian folk music and began to work on music inspired by folkloric material. (Nihon Shuppan Boeki)
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