Chateau de Versailles Spectacles
Mozart (1756-1791) - Mozart Requiem, Salieri Requiem : Herve Niquet / Le Concert Spirituel - Import CD
Mozart (1756-1791) - Mozart Requiem, Salieri Requiem : Herve Niquet / Le Concert Spirituel - Import CD
CD
Classical Music
Requiem
November 10, 2022
Will usually ship within 1~5 business days of receiving cleared payment.
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Catalog No.:CVS078
JAN/ISBN: 4589538784768
Number of Discs: 1
Country/Region of Manufacture: Import
Credits:
V/A
Description:
Salieri and Mozart's view of life and death, to the image of a living work of art. A feat of the brilliant Niquet! In Milos Forman's film "Amadeus" (1984), based on Peter Schaeffer's play (1979), the Italian composer Salieri plays a prominent role in Mozart's image that defies conventional wisdom. In the film, Salieri was portrayed as a villain who, out of irresistible admiration and strong jealousy of Mozart's talent, concealed his position and commissioned Mozart to compose the "Requiem," poisoning him and gradually driving him to death, which was spread by some people in Vienna in Salieri's later years in reaction to the popularity of Italian composers, This is nothing but the distant result of the unfounded notoriety that some in Vienna spread in reaction to the popularity of Italian composers during Salieri's later years. In his lifetime, Salieri was a moral educator with a passion for future generations, and in his later years Mozart, who had once harbored a self-serving antipathy toward him, reconciled with him and came to recognize each other's talents. The album couples Mozart's unfinished "Requiem," which ultimately became a key work for Salieri's restoration a few centuries later, with the "Requiem" that Salieri composed for himself immediately after his retirement from the opera world, and is conducted by the genius Niquet! Niquet's ability to depict the overwhelming drama of Mozart's "Requiem" in a richly slow and dramatic manner is truly remarkable, while Salieri, for whom this is his first recording on an ancient instrument, brings out the true value of the music in its entirety, making full use of the dramatic language of the opera, including quotations from the composer's own old works. The recording is the first time for Salieri to record a piece on an old instrument.Jean-François Madouf, who plays the same natural trumpet without finger holes as the 18th century model, and the rest of the instrumentalists are all virtuosos! The performance is a masterpiece that washes away the rumors of posterity, and brings us close to the true image of the work, "as it is in its original presence" (according to Niquet). Naxos Japan
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