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Salieri (1750-1825) - Armida : Rousset / Les Talens Lyriques, Ruiten, Valiquette, Iervolino, etc (2020 Stereo)(2CD) - Import 2 CD

Salieri (1750-1825) - Armida : Rousset / Les Talens Lyriques, Ruiten, Valiquette, Iervolino, etc (2020 Stereo)(2CD) - Import 2 CD

CD

Classical Music

Opera

February 20, 2021

Regular price ¥212.00 CNY
Regular price ¥236.00 CNY Sale price ¥212.00 CNY
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Catalog No.:AP244

JAN/ISBN: 5051083166140

Number of Discs: 2

Country/Region of Manufacture: Import

Credits:

Beethoven

Description:

Rousset's Passion Revives the Charm of Salieri's Rise to Fame Christophe Rousset and Les Talents Reliques, who are passionate about reviving Salieri's operas, have brought us another treasure: Armida, the first full-scale opera by the 20-year-old Salieri, which was published in 1771. It is said that it was this work that brought him recognition and made him a household name. There were recordings of the overture and arias, but this is the world's first full-length version. It is based on Torquato Tasso's epic poem "The Liberated Jerusalem," but Traetta in 1761, Gluck in 1777, and Rossini in 1817 wrote masterpieces on the same subject. Salieri's version, with a libretto by Marco Cortellini, is an intense drama about the East-West conflict between Christianity and Islam, featuring Armida, Rinaldo, Ismene, and Ubaldo. Salieri's music is said to be a perfect fusion of Italian and French styles, allowing the audience to enjoy the energetic world. The leading role of Armida is played by Amerink's treasured daughter, Reneke Luiter. She is a soprano who has been in great demand in recent years for her accuracy and flamboyant singing. Rinaldo, the lover, was originally sung by a castrato, but Canadian soprano Florrie Valiquette gives an excellent performance with the charm of a treasure trove of talent. Ruse's Salieri, whose "Talar" won the 2019 Recording Academy Award for Best Opera, brings even more depth and confidence to his interpretation.Salieri is often thought to be less talented as Mozart's adversary, but his charming melodies and crisp delivery remind us of his greatness. King International

Tracklisting:

1.Armida~Act 1. Sinfonia
2.Armida~Act 1. Scena 1. Coro: Sparso di pure brine
3.Armida~Act 1. Scena 1. Ballo
4.Armida~Act 1. Scena 1. Gavotta
5.Armida~Act 1. Scena 1. Coro: Donzelle semplici
6.Armida~Act 1. Scena 2. Recitativo. Ismene: Ah difendete, amiche
7.Armida~Act 1. Scena 2. Coro: Ah fra la nera
8.Armida~Act 1. Scena 2. Recitativo accompagnato. Ismene: In si crudel dubbiezza ah non perdiamo
9.Armida~Act 1. Scena 2. Coro: Sparso di pure brine
10.Armida~Act 1. Scena 3. Recitativo accompagnato. Ubaldo, Ismene: Ecco l’onda insidiosa
11.Armida~Act 1. Scena 3. Coro, Ismene: Vieni al fonte del contento
12.Armida~Act 1. Scena 3. Recitativo accompagnato. Ubaldo, Ismene, coro: Che periglioso assalto!
13.Armida~Act 1. Scena 3. Cavatina. Ismene: Mostri i piu crudi, e infesti
14.Armida~Act 1. Scena 3. Coro di Demoni: Qual e la man che scuote
15.Armida~Act 1. Scena 3. Recitativo accompagnato. Ubaldo: Quanto fragili, e vane, immondi spirti
16.Armida~Act 1. Scena 3. Cavatina. Ubaldo: Tornate al nero abisso
17.Armida~Act 1. Scena 3. Coro di Demoni: Qual sibilo orrendo
18.Armida~Act 1. Scena 3. Recitativo accompagnato. Ubaldo: Eterno Provveder, tu che guidasti
19.Armida~Act 1. Scena 3. Aria. Ubaldo: Finta larva, d’abisso fra l’ombra
20.Armida~Act 2. Scena 1. Duetto. Armida, Rinaldo: Qui’l regno e del contento
21.Armida~Act 2. Scena 1. Recitativo. Armida, Rinaldo: Addio. Gia m’abbandoni?
22.Armida~Act 2. Scena 1. Aria. Armida: Tremo, bell’idol mio
23.Armida~Act 2. Scena 2. Recitativo accompagnato. Rinaldo: E non deggio seguirla?
24.Armida~Act 2. Scena 2. Aria. Rinaldo: Lungi da te, ben mio
25.Armida~Act 2. Scena 2. Recitativo accompagnato. Rinaldo: Forse, chi sa? Verranno
26.Armida~Act 2. Scena 2. Aria. Rinaldo: Vieni a me sull’ali d’oro
27.Armida~Act 2. Scena 2. Ballo

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