Hermann Abendroth, Bavarian State Orchestra, Berlin Radio Symphony Orchestra - Hermann　Abendroth : Beethoven Symphonies Nos.3, 9, Brahms, Schumann (3Cd) - Import 3 CD

Credits:

Hermann Abendroth, Bavarian State Orchestra, Berlin Radio Symphony Orchestra

Description:

This limited-quantity set includes the stunning Bra 1 and the Ninth from the ALTUS Arbentraut-conducted titles. This is a limited edition set. Known as a conductor who gave explosive performances, Arbendt-Roth was a unique figure who earned the respect of his orchestra members and was much loved by the local citizens. Please enjoy his unique musical world. TALT-022] Brahms No. 1 is the strangest performance of all. The tempo was set in such a way that it seemed to completely ignore the law of inertia and almost blow you away! Especially in the last movement, the conductor was faster than anyone expected, slower than anyone expected, and pulled the audience forward and backward in an astonishing manner. The orchestra was not to be outdone by the outpouring of musical expression, and gave an outstanding performance that made one's hands sweat! It was a lot of fun. Schumann's individuality explodes in a blazing performance. TALT-023] The "goodness of stepping in" in the sforzandos and crescendos that frequently appear in the first movement of "Hero," and the momentum of the sudden, sudden pressure are characteristic of Arbendroth. It is an incandescent performance that brings back to our time the sense that Beethoven, at the time of composition, was determined to venture into a musical world of unprecedented scale. In the high-speed scherzo, the trio's horns exploded! The trio's horns blasted through the air with unimaginable ferocity. The coda of the finale is a melting pot of excitement. The orchestra's joyful performance is so vivid that one can almost picture them playing with giddiness. TALT-053] "The Ninth" is a great performance highly praised by Kuniyoshi Uno. The liner notes include his commentary. He calls this New Year's Eve 1950 performance the best one, and says that if Furtwängler was "dramatic," Arbendt-Roth was "rampaging" and "a 'Ninth' without pretense. The boldness of the music, the fluid tempo, the sometimes wild intensity of the third movement, and the slow, furious third movement! The overflowing flood of songs is like Walter's.The fourth movement explodes with a grand period style, and the chorus is a rare example of prewar German chanting still in place, he said. Enjoy this intense Beethoven. King International