Rimsky-Korsakov / Noseda, Gianandrea - Rimsky-Korsakov: Sheherazade - Import SACD Hybrid
Rimsky-Korsakov / Noseda, Gianandrea - Rimsky-Korsakov: Sheherazade - Import SACD Hybrid
Hybrid SACD
Classical Music
August 13, 2020
Album
Will usually ship within 1~5 business days of receiving cleared payment.
Catalog No.: SACD193
JAN/ISBN: 8012871019359
Number of Discs: 1
Country/Region of Manufacture: Import
Credits:
Rimsky-Korsakov / Noseda, Gianandrea
Description:
The scorching hot maestro Gianandrea Noseda! A Thousand and One Nights with the Orchestra of the Teatro Reggio di TorinoThe scorching Italian maestro Gianandrea Noseda, who has already established himself as a maestro with his appointment as Music Director of the Washington National Symphony Orchestra and will become General Music Director of the Zurich Opera in the 2021-2022 season The world of "One Thousand and One Nights (Arabian Nights)" is depicted in a dense and colorful way by Gianandrea Noseda, a scorching Italian maestro who is already a master of his craft, in collaboration with the orchestra of Teatro Regio Torino (Royal Opera House of Torino), where he served as music director from 2007 to 2018! Inspired by the story of Scheherazade, the narrator of "One Thousand and One Nights," Rimsky=Korsakov's masterpiece, "Scheherazade," is performed in a dramatic performance by the Royal Opera House of Turin. The dramatic performance is one of the most famous performances of the honeymoon period between Noseda and the Teatro Torino Reggio, and Giulio Cesare Ricci, owner and recording engineer of the FONE label, said of the recording, "With this recording I want to give the listener a unique experience, I want the listener to have a unique experience.It is as if you are sitting in an armchair positioned very high - the height of the third row of first-class seats in a theater. This position creates an acoustic field effect in the sound, giving the listener a great sense of front to back, left to right, up and down. He continues, "The microphones used for the recordings were placed in the same position as the armchair. The recording was made with a Neumann U47 microphone, and the SACD disc was produced from analog masters recorded and created with an Ampex ATR 102 mastering tape recorder. Tokyo M-Plus
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