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Altus X TOWER RECORDS

Eugen Jochum, Bamberg Symphony Orchestra - Bruckner: Symphony No. 8 (live in Tokyo, September 15, 1982) - Import SACD

Eugen Jochum, Bamberg Symphony Orchestra - Bruckner: Symphony No. 8 (live in Tokyo, September 15, 1982) - Import SACD

SACD

Classical Music

19. August 2022

Normaler Preis €44,95 EUR
Normaler Preis Verkaufspreis €44,95 EUR
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Catalog No.: ATKSA1012

JAN/ISBN: 4543638804320

Number of Discs: 1

Country/Region of Manufacture: Import

Credits:

Eugen Jochum, Bamberg Symphony Orchestra

Description:

A project commemorating the 120th anniversary of Jochum's birth. This is the first Tower Records exclusive SACD release of the best-selling CD from the original sound source provided by NHK in 2001, in the early years of the ALTUS label! This is the first SACD release of the best-selling CD version from the original sound source provided by NHK in 2001, the early years of the ALTUS label, available exclusively on Tower Records. This is the legendary Tokyo performance by Eugen Jochum, a renowned Bruckner specialist, in his later years. The sound quality has been greatly improved not only by SACD but also by remastering using the latest technology.Jochum's Bruckner No. 8 has generally been appreciated for many years mainly on two stereo recordings: the DG recording with the Berlin Philharmonic following the monaural recording and the old EMI recording with the Staatskapelle Dresden in his later years. Therefore, some may consider that the tempo settings and performance style of some movements, especially in the later symphonies, are a step down compared to the high evaluation of the early and middle symphonies. In particular, the 1964 DG recording of the Berlin Philharmonic, which was recorded at the newly completed Berlin Philharmonic the previous year (at that time, the DG's experimental recording in a new hall), is not considered by many listeners to be Jochum's best performance, including the recording itself and its consistency with the other pieces. Moreover, the second recording of the complete works on the old EMI disc, following No. 4, was made in 1976, and it can be considered as a step forward from the end of the 70's to the borderline of the great temple (No. 5, the last recording of the complete works, is a notable example), and it is true that there are more pros and cons than other pieces, and it cannot be denied that the level of belief is a little weak. It is true that the music is more controversial than the other pieces.Of course, the perfection of Jochum's own Bruckner performances is unshakable, so that even 120 years after his birth, these performances are still among the greatest in the history of recordings. (1/2)

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