Mozart (1756-1791) - Liberta! -Mozart & The Opera : Pichon / Pygmalion, Devieilhe, Stagg, Malfi, Vrielink, Chest, Di Pierro (2CD) - Import 2 CD

Credits:

Pescia, Cedric

Description:

Trace the path of Mozart's writing of the Da Ponte trilogy through music! A great project by Pygmalion led by Pichon! After "Abduction from the Hermitage" (1782), Mozart finally created the Da Ponte Trilogy (The Marriage of Figaro (1786), Don Giovanni (1787), Così fan tutte (1790)), but he was always searching for a good script. He was always searching for a good script. He wanted to sublimate the story and the psychology of the characters through music, and to involve the audience in a whirlpool of unprecedented emotion, so he researched the creation of dramatic music. This is what music for concert arias and theater is all about. Pygmalion, led by Pichon, combined such music and music from operas written during this period and presented them as an opera in three acts. Each act is based on the stories of The Marriage of Figaro, Don Giovanni, and Così fan tutte, making the music sound both familiar and fresh. Some of the music is unfinished, but the arrangements are by Pierre-Henri Dutron (who also completed the Mozart: Requiem under Jacobs) and others.The opera is in three acts, with the inclusion of operas by Mozart's contemporaries, and other operas by Mozart's contemporaries, as needed. Synopsis: Act 1: The Count's servant and the Countess's maid are getting married! Act 2The two weddings take place simultaneously, and the prodigal who was invited to the weddings seduces the bride and throws everyone into confusion, but in the end, the prodigal is punished. Act III: In order to confirm the love between two soldiers and their fiancé, an old philosopher sets up a disguise, which changes the fiancé's mind. In the end, the two are restored to their original state in a grand finale. King International

Tracklisting:

1.Liberta!: Lo sposo deluso, K. 430: Ouverture
2.Liberta!: Lo sposo deluso, K. 430: Ah che ridere!
3.Liberta!: Lo sposo deluso, K. 430: Dove mai trovar qual ciglio?
4.Liberta!: Il barbiere di Siviglia: Saper bramate
5.Liberta!: Aria "Bella mia fiamma... Resta, oh cara!" K. 528, 1787
6.Liberta!: Canone "Caro bell'idol mio" K. 562, 1788
7.Liberta!: L'oca del Cairo: Ogni momento dicon le donne
8.Liberta!: Canzonetta "Ridente la calma" K. 152 (210a)
9.Liberta!: Idomeneo, re di Creta K. 366: Spiegarti non poss'io
10.Liberta!: Notturno "Se lontan, ben mio, tu sei" K. 438
11.Liberta!: Thamos, Konig in Agypten K. 345: Ouverture. Maestoso
12.Liberta!: Una cosa rara, o sia Bellezza ed onesta: O quanto un si bel giubilo!
13.Liberta!: Recitativo, Aria "Cosi dunque tradisci...Aspri rimorsi atroci" K. 432 (421a)
14.Liberta!: Canone "Nascoso e il mio sol" K. 557
15.Liberta!: Aria "Vado, ma dove? K. 583
16.Liberta!: Aria "Per pieta, non ricercate" K. 420
17.Liberta!: Aria "No, che non sei capace" K. 419
18.Liberta!: L'oca del Cairo: Corpo di Satanasso!
19.Liberta!: Thamos, Konig in Agypten K. 345: Ne pulvis et cinis
20.Liberta!: Thamos, Konig in Agypten K. 345: Entracte

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