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These islands were colonized around the end of the 16th century, and slaves were brought from the African continent and the neighboring island of Madagascar to cultivate coffee, spices, and sugar cane. The drumming, singing, and dancing they did to forget their daily hard labor was called \"sega. Sega\" is an Afro-dance music with percussion and percussion beats out rhythms of the hachiroku type, and the songs are enlivened with call and response. It was also influenced by the music of people from India, Indonesia, and other Asian countries, and developed as Creole music.From the 1950s, Latin and Brazilian music, jazz, and rock 'n' roll were introduced along with vinyl records, which swallowed them up as well. Many independent labels were established and many discs were produced. This album is a valuable collection of sound sources compiled from 7-inch records released in Reunion, Mauritius, and the Seychelles in the 1970s. 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This work includes \"Marie-Louise,\" a pioneering work in the simple style of two guitars plus singing by the great singer Wende Kolosoy, who pioneered the modern Congo-style rumba and created the country's first hit song, and the virtuoso Camille Ferge's fluid accordion playing and primitive From the later works that expanded the possibilities of rumba with the introduction of electric instruments and wind instruments and the beauty of chorus work, \"Nanga Nkisi\" by Trio Bow, \"Amondembe Chachacha Chacha\" by Adu Elanga, and \"Amondembe Chachacha Chacha\" by Adu Elanga, the latter is a masterpiece that combines the primitive African rhythm style with the fluid accordion playing of master Camille Fergi. Amondembe Chachacha\" by Adu Elanga, and other songs by a total of 14 artists. This is a dense and concentrated collection of the most brilliant decade in the history of Congolese music. 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II OOY ANIGA (CRY FOR ME) - IFTIN BAND\u003c\/p\u003e","brand":"Rice Records","offers":[{"title":"Default Title","offer_id":40188422127676,"sku":"4582136082328","price":3520.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/8482\/2076\/products\/4582136082328.jpg?v=1655536394"},{"product_id":"4562276850841","title":"Sidiki Diabate \u0026 Batourou Sekou Kouyate \u0026 Djelimadi Sissoko \u0026 N'Fa Diabate - Mali: Cordes Anciennes - Japan CD","description":"\u003cp\u003eCredits:\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eDescription:\u003c\/p\u003e\u003cp\u003eThe kora, a lute-shaped stringed instrument, is said to be the prototype of the harp and guitar, and is considered to have the most beautiful tone of all African folk instruments. It is a traditional folk instrument that has been passed down for over 300 years in countries such as Senegal, Gambia, Mali, and Guinea, and is played by griots (hereditary performing groups). 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It has been almost 20 years since the beginning of the 21st century, and the genre that has made the greatest strides in world music during that time has been \"Desert Blues\". The pioneers of the scene, Tinariwen, of course, and the \"new generation of desert blues\" influenced by them have appeared one after another. Among these, Tami Crest is the one that is attracting the most attention. They have already made several visits to Japan and are already very well known in Japan, and have released their first new album since their last album \"Kidal\" (Rice INR-7115) in 2017. Tamikrest was formed in 2006 in Kidal, a town in northern Mali. The members are mainly nomads living around the Sahara desert called Tuaregs, and when a struggle broke out in Kidal, the leader and vocalist\/lead guitarist Usman Ag Mosa decided to resist with music instead of weapons, and the group was formed.In 2008, she met Chris Eckman, the current owner of Glitterbeat, and made her debut with \"Mountain\" (Rice INR-887) in 2010, which was produced by Chris while participating in his band's albums. He followed with \"Tumastin\" (INR-888) in 2011 and \"Shatma\" (Alterpop) in 2013, and these works, which further developed the sound created by his senior Tinariwen and delivered fresh desert blues with youthfulness and strength, brought him to international attention. In 2005, after the release of \"Kidal,\" Tinariwen made his first visit to Japan, where he made a huge impact on African music fans in Japan. This album, the fifth in the series, retains the \"desert blues\" format of songs about the conflicts that have afflicted the Tuareg people and their way of life, but also incorporates a global perspective that is unique to these musicians, who have been active on the international scene in recent years. The song \"Timtarin\" features Moroccan singer Hindi Zahra, and the two singers perform a charming duet.In addition, \"Tabsit\" is a track recorded during a visit to Japan in 2019, with guest contributions from tonkori player OKI (OKI DUB AINU BAND) and shamisen player Jun Sakata (Tokyo Gekko Shamisen). Here is an unprecedented collaboration of desert blues, Ainu music, and Japanese music. The band has become more cohesive over the course of many tours, and the result is the best ensemble performance to date. This is an important album that heralds a new phase of blues in the desert. 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Tunisia, a small country in the Maghreb region, has been inhabited by Jews since B.C., and since the country was protected by its rulers, it has developed its own culture, mixed with that of the Jews who immigrated here later. Due to this influence, Arab Andalusian music in this country was performed in the most sophisticated style. This album explores the Tunisian music scene, which has produced a fascinating array of singers despite its small size, including representative Tunisian singers from the prewar and postwar periods who inherited this style, as well as a female singer who died prematurely and is still loved today, and a legendary figure who has rarely been introduced to the world. Includes Japanese commentary and obi\u003c\/p\u003e\u003cp\u003eTracklisting:\u003cbr\u003e\u003cbr\u003e1. SELLEMT ANA FIK YA BLADI \/ RAOUL JOURNO\u003cbr\u003e2. GUED MAAMELT MAAK \/ CHEIKH EL AFRITE\u003cbr\u003e3. ALA BAB DAREK \/ LOUISA TOUNSIA\u003cbr\u003e4. 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SHAKILA \u0026amp; LUCKY STAR: MAPENZI YAMEPUNGUA (L'AMOUR S'EST ENFUI \/ LOVE HAS FADED AWAY)\u003cbr\u003e11. ZEIN MUSICAL PARTY : YA FUADI (DU C?UR \/ OF THE HEART)\u003cbr\u003e12. ZUHURA \u0026amp; PARTY : HUMVUI ALOVIKWA (LE TALENT NE PEUT ETRE OTE \/ A TALENT CANNOT BE TAKEN AWAY)\u003cbr\u003e13. MWANAHELA \u0026amp; GOLDEN STAR: CHOMBO (LE BATEAU \/ THE BOAT)\u003cbr\u003e14. MOH'D MRISHO \u0026amp; BLACK STAR : SIKIO (L'OREILLE \/ THE EAR)\u003cbr\u003e15. 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This album explores the diversity and unfathomable appeal of beats that live and breathe in every corner of the vast African continent. The film covers a wide range of colorful rhythmic patterns that have been passed down from generation to generation in Lesotho, South Sudan, Niger, and other regions. The rich harmonies of the beats and melodies of the various traditional folk instruments can be enjoyed. The album features numbers by a total of 15 artists, from the young to the veteran, who are at the forefront of the African music scene, including Zimbabwe's Hope Masike, the \"Princess of N'birra,\" and Moli Kante, a representative artist of Guinea.\u003c\/p\u003e\u003cp\u003eTracklisting:\u003cbr\u003e\u003cbr\u003e1. WAYO KPANINGBO (XYLOPHONE)\u003cbr\u003e2. KENGE KENGE OBARE YINDA\u003cbr\u003e3. SIMO LAGNAWI BOLAMI\u003cbr\u003e4. SOTHO SOUNDS HA KELE MONATENG\u003cbr\u003e5. MAMANE BARKA DORO LELEWA\u003cbr\u003e6. HOPE MASIKE ZUNDE\u003cbr\u003e7. 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The song is a fascinating piece with a folk approach to percussion and dramatic strings, interspersed with a cheap and melancholy organ sound that runs in all directions. The percussion-driven variation in [5] features a generous amount of sitar. The Indian exotica sound created from Arabic subjectivity is a must-hear. In [7], the Arabic orchestral sound is backed by distorted electric guitar sounds and solos by accordion and flute, making for a danceable piece.The last song [19] is a cover of the famous song \"A Love Poem\" by Francis Ray, the pride of France, with a cool arabic taste! This is one of the best songs to enjoy the genius composer's skill. This is one album that world music fans, exotica and lounge fans, and 60's and 70's fans in particular should not miss out on! (2\/2)\u003c\/p\u003e\u003cp\u003eTracklisting:\u003cbr\u003e\u003cbr\u003e1. GHADA\u003cbr\u003e2. ZABOUR\u003cbr\u003e3. THE WANDERER\u003cbr\u003e4 .MAWAL\u003cbr\u003e5. ENNAI\u003cbr\u003e6. 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