{"product_id":"5028421975795","title":"Various Artists (Classic) - Reger Collection - Import 18 CD","description":"\u003cp\u003eCredits:\u003c\/p\u003e\u003cp\u003eVarious Artists (Classic) \u003cbr\u003e\u003c\/p\u003e\u003cp\u003eDescription:\u003c\/p\u003e\u003cp\u003eMax Reger [1873-1916].\n\nContents\n\nCD1 63'59\n\n\n\nSuite for ballet, Op.130 [1913] 1.\n\n1. i. introduction: at march tempo 3'03\n\n2. ii. colombine: adagietto 3'31\n\n3. iii. clown: vivace 2'12\n\n4. iv. clown and Pierrette: Larghetto 3'38\n\n5. v. waltz of love: sostenuto 2'53\n\n6. vi. finale: Presto 2'40\n\n\n\nStaatskapelle Berlin\n\nOtmar Suitner (Conductor)\n\n\n\nRecorded at Christ Church, East Berlin, August 1972\n\n\n\nConcerto in old style, Op. 123 [1912].\n\n7. i. allegro con spirito 7'47\n\n8. II. largo 9'15\n\n9. III. allegro 6'14\n\n\n\nKarl Zuske, Heinz Schunk (Violin)\n\nStaatskapelle Berlin\n\nOtmar Suitner (Conductor)\n\n\n\nRecorded in East Berlin, August 1972,Christian churches\n\n\n\nVariations on a Theme by Beethoven and Fugue, Op.86 [1915] 10.\n\n10. theme:Andante 1'34\n\n11. 1st variation: un poco piu lento 2'03\n\n12. 2nd variation: Appassionato 1'20\n\n13. 3rd variation: Andantino grazioso 2'18\n\n14. 4th variation:Vivace 0'48\n\n15. 5th variation: Andante sostenuto 3'14\n\n16. 6th variation: Allegretto con grazia 1'28\n\n17. seventh variation:Poco vivace 1'25\n\n18. 8th variation:Allegro pomposo 2'16\n\n19. fugue:con spirito 6'05\n\n\n\nStaatskapelle Berlin\n\nOtmar Suitner (Conductor)\n\n\n\nRecorded: August 1971, Potsdam,Babelsberg DEFA Symphony Orchestra Studio\n\n\n\nCD2 44'32\n\n\n\nVariations and Fugue on a Theme by Hiller, Op.100 [1907].\n\n1. theme:Andante grazioso 0'27\n\n2. 1st variation: piu andante 1'08\n\n3. 2nd variation: Allegretto con grazia 4'10\n\n4. 3rd variation: Vivace 2'23\n\n5. 4th variation: Poco vivace 2'19\n\n6. 5th variation: Andante sostenuto 4'02\n\n7. 6th variation: Tempo di minuetto 2'43\n\n8. 7th variation: Presto 3'40\n\n9. 8th variation: Andante con moto 3'14\n\n10. 9th variation:Allegro con spirito 2'05\n\n11. 10th variation: Allegro appassionato 2'23\n\n12. 11th variation: Andante con moto 6'01\n\nFugue:Allegro moderato 9'58.\n\n\n\nLeipzig Gewandhaus Orchestra\n\nFranz Konwitschny (Conductor)\n\n\n\nRecorded in Leipzig, 1960,Congress Hall\n\n\n\nCD3 61'29\n\n\n\nVariations on a Theme by Mozart and Fugue, Op.132 [1914].\n\n1. theme:Andante grazioso 2'25\n\n2. 1st variation: ristesse tempo 2'32\n\n3. 2nd variation: Poco agitato 2'03\n\n4. 3rd variation: con moto 1'29\n\n5. 4th variation:Vivace 0'44\n\n6. 5th variation: quasi presto 1'43\n\n7. 6th variation:Sostenuto 2'11\n\n8. 7th variation: Andante grazioso 2'33\n\n9. 8th variation:Molto sostenuto 6'54\n\n10. fugue:Allegretto grazioso 9'47\n\n\n\nStaatskapelle Berlin\n\nHeinz Bongartz (Conductor)\n\n\n\n4 tone poems by Arnold Becklin, Op.128 [1913].\n\n11. no.1 The Hermit Playing the Violin 9'42\n\n12. no. 2 \"The Play of the Waves on the Beach\" 4'30\n\n13. No.3 Island of Death 9'31\n\n14. No.4 Bacchanal 5'00\n\n\n\nWalter HartoviChi (Violin)\n\nDresden Philharmonic Orchestra\n\nHeinz Bongartz (Conductor)\n\n\n\nCD4 74'13\n\n\n\nSinfonietta Op.90 [1905] 1.\n\n1. i. allegro moderato 15'22\n\n2. ii. scherzo: allegro vivace 13'09\n\n3. III. larghetto 8'22\n\nIV. allegro con spirito 13'17\n\n\n\nGünter Ziering Violin\n\nDresden Philharmonic Orchestra\n\nHeinz Bongartz (Conductor)\n\n\n\nRecording: November 1972, Luke Church, Dresden\n\n\n\n5. to Hope, Op.124 [1912] 11'54\n\n\n\n6. hymn to love, Op.136 [1914] 11'57\n\n\n\nAnneliese Burmeister (Alto)\n\nLeipzig Radio Symphony Orchestra\n\nHeinz Bongartz (Conductor)\n\n\n\nRecorded: February, May 1968, Dresden,Luke Church\n\n\n\nCD5 57'40\n\n\n\nViolin Concerto Op.101 [1907-8] 1.\n\n1. i. allegro moderato 27'35\n\n2. ii. largo con grand espression - 15'59\n\n3. iii. allegro moderato (but with spirit) 14'06\n\n\n\nManfred Scherzer (Violin)\n\nStaatskapelle Dresden\n\nHerbert Blomstedt (Conductor)\n\n\n\nRecorded: 1981, Luke Church, Dresden\n\n\n\nCD6 41'43\n\n\n\nPiano Concerto Op.114 [1910].\n\n1. i. allegro moderato 19'50\n\n2. ii. largo con grand espressione - 10'30\n\n3. III. allegro con spirito 11'23\n\n\n\nAmadeus Weberzinke (Piano)\n\nDresden Philharmonic Orchestra\n\nGünter Herbig (Conductor)\n\n\n\nRecorded in Dresden, 1972,Luke Church\n\n\n\nCD7 52'33\n\n\n\nSymphonic Prologue to a Tragedy, Op.108 (abridged version) [1908].\n\n1. grave~Allegro agitato~Andante sostenuto~Largo 26'02\n\n\n\nRomantic Suite, Op.125 [1912] 2.\n\n2. i. nocturne molto sostenuto 7'58\n\n3. II. scherzo: Vivace 8'17\n\n4. III. finale molt sostenuto 10'00\n\n\n\nBerlin Radio Symphony Orchestra\n\nHeinz Regner (Conductor)\n\n\n\nRecorded: December 1974,Berlin\n\n\n\nCD8 60'06\n\n\n\nString Trio in A major, Op.77b [1904].\n\n1. i. sostenuto ~ allegro agitato 7'45\n\n2. II. larghetto 6'56\n\n3. iii. scherzo:vivace 2'33\n\nIV. allegro con moto 6'35\n\n\n\nClarinet Quintet, Op.146 [1915] 5.\n\n5. i. moderato ed amabile 8'59\n\n6. II. vivace 5'44\n\n7. III. largo 10'32\n\n8. iv. poco allegretto 10'49\n\n\n\nFalerius Ensemble\n\n\n\nRecorded September 19-21, 1997, Enschede, The Netherlands\n\n\n\nCD9 79'25\n\n\n\nPiano Trio Op.102\n\n1. i. Allegro moderato,Ma con passione 14'52\n\n2. ii. allegretto 4'55\n\n3. III. largo 12'00\n\nIV. allegro con moto 9'54\n\n\n\nAltium Trio\n\nkurumi kurita (violin), kurumi kurita (cello), kurumi kurita (piano), kurumi kurita (piano), kurumi kurita (piano), kurumi kurita (violin), kurumi kurita (piano), kurumi kurita (piano)\n\n\n\nRecorded September 2018, Lisbon, Calouste Gulbenkian Foundation\n\n\n\nSerenade, Op.77a\n\n5. i. allegro 7'27\n\n6. II. andante semplice con variazioni 7'35\n\n7. III. presto 4'59\n\n\n\nSerenade, Op.141a\n\n8. I. Vivace 5'03\n\n9. II, Larghetto 6'32\n\n10. III, Presto 5'58\n\n\n\nAndrea Oliva (Flute)\n\nCarlo Palazzoli (Violin)\n\nLuca Sanzo (Viola)\n\n\n\nRecorded May 25~27, 2016, Rome,art studio\n\n\n\nCD10 69'30\n\n\n\nClarinet Sonata in A flat major, Op.49 No.1 [1900].\n\n1. i. allegro affanato 7'02\n\n2. ii. vivace 3'56\n\n3. III. larghetto 3'09\n\nIV. prestissimo assai 4'23\n\n\n\nClarinet Sonata in F-sharp major, Op.49 No.2 [1900] 5.\n\n5. i. allegro dolente 7'30\n\n6. ii. vivacissimo 2'28\n\n7. III. larghetto 4'00\n\n8. iv. allegro affabile 5'00\n\n\n\nSonata in B flat major, Op. 107 [1908-1909] 9.\n\n9. i. moderato 10'40\n\n10. II. vivace~adagio~vivace 5'08\n\n11. III. adagio 5'21\n\n12. iv. allegretto con grazia (vivace) 7'02\n\n\n\nAlbum spelling in E flat major [?1902]\n\nAndante con moto 1'21\n\n\n\nTarantella in G major [1902].\n\n14. very lively 1'45\n\n\n\nClaudio Conti (Clarinet)\n\nRoberta Bambace (Piano)\n\n\n\nRecorded January~February 2015, Conservatory of Mantova, Italy,Monteverdi Auditorium\n\n\n\nCD11 44'39\n\n\n\nMax Reger [1873-1916].\n\n\n\nSuite for Unaccompanied Cello No.1 in G major, Op.131c No.1 [1914].\n\n1. i. prelude 3'22\n\n2. II. adagio 4'41\n\n3. III. fugue 3'48\n\n\n\nSuite for Unaccompanied Cello No. 2 in D major, Op. 131c No. 2 [1914] 4.\n\n4. i. prelude 5'05\n\n5. II. gavotte 2'54\n\n6. III. largo 4'24\n\n7. IV. Gigue 2'44\n\n\n\nSuite for Unaccompanied Cello No.3 in A major, Op.131c No.3 [1914] 8.\n\n8. i. prelude 5'08\n\n9. II. scherzo 4'39\n\n10. III. andante and variations 7'32\n\n\n\nMartina Biondi (Cello)\n\n\n\nRecorded: November 24~26, 2023, Italy,saluzzo\n\n\n\nCD12 52'35\n\n\n\nSuite for Viola solo No.1 in G major, Op.131d No.1 [1915].\n\n1. i. molto sostenuto 4'29\n\n2. ii. vivace 3'11\n\nIII. andante sostenuto 2'35\n\nIV. molto vivace 1'16\n\n\n\nSuite for Viola solo, No.2 in D major, Op.131d No.2 [1915] 5.\n\n5. i. con moto 2'08\n\n6. II. andante 3'24\n\n7. III. allegretto 1'38\n\n8. iv. vivace 2'16\n\n\n\nSuite for Viola solo, No.3 in E major, Op.131d No.3 [1915] 9.\n\n9. i. moderato 3'14\n\n10. II. vivace 1'54\n\n11. III. adagio 2'40\n\n12. iv. allegro vivace 1'30\n\n\n\nHenri VOUTIN [1820-1881].\n\n13. capriccio for viola solo c-minor, Op.55 (posthumous) \"Homage to Paganini\" 3'08\n\n\n\nKrzysztof Penderecki 1933-2020\n\n14. cadenza for viola solo [1984] 7'34\n\n\n\nBenjamin Britten 1913-1976\n\n15. elegy for viola solo [1930] 6'19\n\n\n\nIgor Stravinsky 1882-1971\n\n16. elegy for viola solo [1944] 4'46\n\n\n\nLuca Sanzo (Viola)\n\n\n\nRecorded March 14~16, 2023, New Studio \"G\u0026amp;G\", Ardea, Lazio, Italy\n\n\n\nCD13 62'27\n\n\n\n1. choral Fantasy, Op.27 \"We God is a firm fortress\" [1898] 12'30\n\n\n\n2. chorale fantasia Op.30 \"O soul!Rejoice greatly\" [1898] 17'42\n\n\n\nChoral Fantasy, Op.40\n\n3. shining majestically [1899] 17'45\n\n4. strah mich nicht in dem Sohn [1899] 14'10\n\n\n\nWouter van den Broek (Organ)\n\n\n\nRecorded: 1989~1990, Church of Our Lady, Breda, The Netherlands\n\n\n\nCD14 51'43\n\n\n\nChoral Fantasy, Op.52 [1900].\n\n1. all men die 15'59\n\n2. hear the voice calling you to wake up 18'46\n\n3. alleluia, praise God for the joy of my soul 16'46\n\n\n\nWouter van den Broek (Organ)\n\n\n\nRecorded in Nijmegen, the Netherlands, 1990,Stephens Church\n\n\n\nCD15 64'25\n\n\n\nFantasy and Fugue in the Name of B-A-C-H, Op.46\n\n1. fantasy 8'05\n\n2. fugue 9'23\n\n\n\nOrgan Sonata No.1 in F-sharp major, Op.33\n\n3. i. Fantasy 4'40\n\n4. II. Interlude 5'52\n\n5. III. Passacaglia 14'03\n\n\n\nOrgan Sonata No. 2 in D major, Op. 60\n\n6. i. improvisation 8'28\n\n7. II, Invocation 6'22\n\n8. III. introduction 2'12\n\n9. IV. Fugue 4'47\n\n\n\nAdriano Falcioni (Organ)\n\n\n\nRecorded November 27~28, 2016, Tamburini Organ, San Lorenzo Metropolitan Cathedral, Perugia, Italy\n\n\n\nCD16 71'12\n\n\n\nSymphonic Fantasy and Fugue in D major, Op.57 \"Inferno Fantasy\n\n1. fantasy 13'36\n\n2. fugue 10'15\n\n\n\nFantasy and Fugue in D major, Op.135b\n\n3. fantasy 7'25\n\n4. fugue 9'51\n\n\n\nIntroduction,Passacaglia and Fugue in E major, Op.127\n\n5. introduction 4'41\n\n6. passacaglia 14'28\n\n7. fugue 10'43\n\n\n\nRoberto Marini (Organ)\n\n\n\nRecorded: June 4, 2011, Bruckner Organ (Op.57, Op.135b), Augustinian Monastery, St. Florian, Linz-Land, Austria; April 13~14, 2012, St. Martin Church, Dudelange, Luxembourg,Stahlhuth\/Jan Organ(Op.127)\n\n\n\nCD17 72'16\n\n\n\nVariations and Fugue on a Theme of Bach in B minor, Op.81 34:53\n\n1. theme Andante(quasi adagio) 01'50\n\n2. 1st variation, ristesso tempo 01'26\n\n3. 2nd variation (Sempre espressivo ed assai legato) 01'19\n\n4. 3rd variation Grave assai 03'18\n\n5. 4th variation Vivace 01'08\n\n6. fifth variation vivace 01'36\n\n7. 6th variation Allegro moderato 01'25\n\n8. 7th variation Adagio 02'09\n\n9. 8th variation Vivace 01'11\n\n10. 9th variation Grave e sempre molto espressivo) 03'15\n\n11. 10th variation Poco vivace 01'01\n\n12. 11th variation Allegro agitato 01'07\n\n13. 12th variation Andante sostenuto 02'31\n\n14. 13th variation vivace 00'52\n\n15. 14th variation con moto 01'48\n\n16. fuga - sostenuto - più morto - adagio 08'57\n\n\n\nDream by the Fireside, Op.143 37'08\n\n17. 1st Larghetto in B flat major 03'34\n\n18. 2nd, con moto in E flat major 02'37\n\n19. the third pieceMolto Adagio in A major 03'40\n\n20. 4th Allegretto Grazioso in E major 02'22\n\n21. piece 5 agitato in B minor 02'50\n\n22. song 6 poco vivace in A flat major 02'10\n\n23. piece 7, Molto sostenuto in D major, 04'12\n\n24. c-major, c-major, 01'11\n\n25. track 9 Larghetto in E flat major 04'05\n\n26. no.10 Vivace(Humoresque) in D minor 02'37\n\n27. track 11 Andantino in G minor 03'40\n\n28. track 12 Larghetto(Etude) in D major 04'10\n\n\n\nEden Walker (Piano)\n\n\n\nRecorded: October 16~17, 2023, Wyastone Concert Halls, England\n\n\n\nCD18 55'19\n\n\n\nReligious Songs, Op.138 [1914].\n\n1. song 1: Man liveth,Just enjoy the short time 3'03\n\n2. the second song: morning song 2'07\n\n3. the third song: Song of the night 3'00\n\n4. the fourth song: The Virgin's Dream 1'59\n\n\n\nReligious Chorus Op.110 [1912] 5.\n\n5. the first piece: My song is 17'21\n\n6. the 2nd piece: Lord, protect me 17'11\n\n7. no.3: O death, how bitter 10'19\n\n\n\nBerlin Radio Choir\n\nHalle Collegium Vocale\n\nDietrich Knote (Conductor)\n\n\n\nRecorded 1974~1975, Berlin\n\n\n\nThe five CDs of orchestral music, two concertos, three chamber works, three instrumental works, four organ works, and one vocal work provide easy access to Reger's major works.\n\nThe booklet (12 pages, in English) includes an illustrated commentary by Peter Quantrill, a well-known author of Gramophone and Strad magazines.\n\n\n\n(Japan Publishers Trading Co.)\u003c\/p\u003e","brand":"Brilliant Classics","offers":[{"title":"Default Title","offer_id":50865322262817,"sku":"5028421975795","price":7896.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/8482\/2076\/files\/5028421975795.jpg?v=1742718784","url":"https:\/\/cdsvinyljapan.com\/products\/5028421975795","provider":"CDs Vinyl Japan Store","version":"1.0","type":"link"}