{"product_id":"4589767514372","title":"Beatles  -  The Complete Beatles #7  -  Japan CD Bonus Track","description":"\u003cp\u003eCredits:\u003c\/p\u003e\u003cp\u003eThe Beatles\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eDescription:\u003c\/p\u003e\u003cp\u003eThe Beatles' seventh anthology of the Beatles' complete official recordings, in chronological order!\n\nA true collection of the complete works, including previously unreleased songs and alternate versions!\n\nIn 1966, the production of the album \"Revolver\" began!\n\n\n\nThis is the seventh volume of the grand project to record all of The Beatles' recordings.\n\nThis popular series of studio recordings by the Beatles, including outtakes and unreleased songs that have not yet been officially released, thoroughly follows the progress of the Beatles in chronological order in sound.\n\nThe seventh collection is recorded from April 1966, when the band started work on the \"Revolver\" album. The previous year, the Beatles had enjoyed great success on their live tour at Shady Stadium and other large venues, and the movie in which they starred was also a big hit. The Beatles' popularity as idols exploded, but they remained dissatisfied with their stage activities, where even their own performances could not be heard because they were drowned out by the sound of their own voices. Conversely, after a month in the studio for the \"Rubber Soul\" album, the Beatles had expanded their range of musical expression by making multiple recordings possible, and it was only natural that their explosive creativity and mindset would gravitate toward studio work rather than live performances with inadequate sound equipment.\n\nIn addition, the Beatles were sensitive to the beatniks, the flower movement, and the wave of cutting-edge art, fashion, and drug culture that was beginning to float through London. On the second day, \"Got to Get You Into My Life,\" written by Paul, the originator of brass rock, was recorded. George's India-oriented approach came to fruition with \"Love You To,\" which could be called the first raga rock song in the history of pop music.\n\nThe solid bass sound of \"Pay-Per-Back Writer,\" made possible by advances in recording technology, and \"Rain,\" which featured reverse rotation, were one \"1966 rock invention\" after another.\n\nFurthermore, in \"Elinor Rigby,\" he leaves everything to the accompaniment of a string octet for which George Martin wrote the score, and completes the song without the members playing. This decision was made by the Beatles, whose identity until now had been that of a self-written band. Even if they had experienced the success of \"Yesterday,\" I was surprised at the cleanness of their decision. In the name of music production, the Beatles are truly clever.\n\nThe production of such a fulfilling \"Revolver\" is recorded in the order of the recording dates, making this production an experience of how a great album is created.\n\nThe bonus features two additional songs written by Paul and produced by G. Martin for the score of the 1967 film \"The Family Way\" (originally titled \"The Window Between Us\"). The arrangement techniques used here will lead to the next album, \"Sargent Peppers.\n\n\n\nLicensed by JASRAC, the Japan Copyright Association.\n\nJacket with licensed photo by Getty Images Japan\u003c\/p\u003e\u003cp\u003eTracklisting:\u003cbr\u003e\u003cbr\u003e1.Tomorrow Never Knows (aka \"Mark I\") (take 1) (EMI Studios, London. 6 April 1966) ★\"Revolver\" album s\u003cbr\u003e2.Got to Get You into My Life (take 5) (EMI Studios, London. 7 April 1966) ★\"Revolver\" album sessions\u003cbr\u003e3.Got to Get You into My Life (EMI Studios, London. 11 April 1966) ★\"Revolver\" album sessions\u003cbr\u003e4.Love You To (take 1) (EMI Studios, London. 11 April 1966) ★\"Revolver\" album sessions\u003cbr\u003e5.Love You To (EMI Studios, London. 13 April 1966) ★\"Revolver\" album sessions\u003cbr\u003e6.Paperback Writer (EMI Studios, London. 14 April 1966) ★\"Revolver\" album sessions\u003cbr\u003e7.Rain (actual speed take 5) (EMI Studios, London. 14 April 1966) ★\"Revolver\" album sessions\u003cbr\u003e8.Rain (EMI Studios, London. 16 April 1966) ★\"Revolver\" album sessions\u003cbr\u003e9.Doctor Robert (EMI Studios, London. 19 April 1966) ★\"Revolver\" album sessions\u003cbr\u003e10.And Your Bird Can Sing (take 2) (EMI Studios, London. 20 April 1966) ★\"Revolver\" album sessions\u003cbr\u003e11.Taxman (EMI Studios, London. 22 April 1966) ★\"Revolver\" album sessions\u003cbr\u003e12.Tomorrow Never Knows (EMI Studios, London. 22 April 1966) ★\"Revolver\" album sessions\u003cbr\u003e13.And Your Bird Can Sing [re-make] (EMI Studios, London. 26 April 1966) ★\"Revolver\" album sessions\u003cbr\u003e14.Eleanor Rigby (EMI Studios, London. 29 April 1966) ★\"Revolver\" album sessions\u003cbr\u003e15.I'm Only Sleeping (take 1) (EMI Studios, London. 29 April 1966) ★\"Revolver\" album sessions\u003cbr\u003e16.I'm Only Sleeping (EMI Studios, London. 6 May 1966) ★\"Revolver\" album sessions\u003cbr\u003e17.For No One (EMI Studios, London. 19 May 1966) ★\"Revolver\" album sessions\u003cbr\u003e18.Yellow Submarine (EMI Studios, London. 1 June 1966) ★\"Revolver\" album sessions\u003cbr\u003e19.I Want to Tell You (EMI Studios, London. 3 June 1966) ★\"Revolver\" album sessions\u003cbr\u003e20.A Good Day's Sunshine (EMI Studios, London. 9 June 1966) ★\"Revolver\" album sessions\u003c\/p\u003e","brand":"Eternal Grooves\/Rocks Off","offers":[{"title":"Default Title","offer_id":50788750262561,"sku":"4589767514372","price":2530.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/8482\/2076\/files\/4589767514372_ed9cfa71-9c0c-4717-b20c-90927603b955.jpg?v=1742717662","url":"https:\/\/cdsvinyljapan.com\/products\/4589767514372","provider":"CDs Vinyl Japan Store","version":"1.0","type":"link"}