{"product_id":"4560250651859","title":"Schubert (1797-1828) - Symphonies Nos.3, 9 : Celibidache \/ Swedish Radio Symphony Orchestra (1967, 1969) - Import CD","description":"\u003cp\u003eCredits:\u003c\/p\u003e\u003cp\u003eDaniel Barenboim\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eDescription:\u003c\/p\u003e\u003cp\u003eThe tempo is more reasonable (46 minutes) than in Munich, but the overall impression is of a more relaxed pace, due to the soft and beautiful sound of the beginning. The attack of the timpani is not sharp. This is intentional. The second movement sounds like Ravel. In the third movement, the insistent repetition of the melody seems to be emphasized even more. In the fourth movement, the fiery Celibidacke's face pops out. Even though his goal is to be soft and beautiful, he can't help but get bloodthirsty. The edge of the tone rises with the yells and footsteps. This is what makes Celibidacke so interesting. He is an artist with blood in his veins. As for No. 3, Celibidacke adopts a very slow tempo from the first movement and plays with the same soft edge as in \"The Great\". I have never heard such a performance. The fourth movement finale, the diminuendo, is interpreted in exactly the same way as the finale of \"The Great\".Were you aware of the similarity? *Includes liner notes in English, Japanese and German Tobu Land System\u003c\/p\u003e","brand":"Weitblick","offers":[{"title":"Default Title","offer_id":46332961325345,"sku":"4560250651859","price":18.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/8482\/2076\/files\/4560250651859.jpg?v=1692035145","url":"https:\/\/cdsvinyljapan.com\/es-es\/products\/4560250651859","provider":"CDs Vinyl Japan Store","version":"1.0","type":"link"}