{"product_id":"5021732441218","title":"Carlo Maria Giulini - Remastered - Studio Recordings - Import 60 CD Box Set","description":"\u003cp\u003eCredits:\u003c\/p\u003e\u003cp\u003eCarlo Maria Giulini \u003cbr\u003e\u003c\/p\u003e\u003cp\u003eDescription:\u003c\/p\u003e\u003cp\u003eContents】(Scheduled songs to be included)\n\nDisc 1\n\nBeethoven: 1-5) Symphony No.6 in F major, Op.68 \"The Countryside\n\n1-5) Symphony No.6 in F major, Op.68 \"The Countryside\n\n6) \"Egmont\" Overture, Op.84\n\n[New Philharmonia Orchestra\n\n[Recorded 18-20.IV.1968, Studio No. 1, Abbey Road, London, London\n\n23-24.IV.1968, Kingsway Hall, London (1-5)John Shirley-Kirk (bass)\n\nLondon Symphony Orchestra \u0026amp; Chorus\n\n[Recorded 22-25.XI.1972, Kingsway Hall, London (Stereo)\n\n\n\nDisc 4\n\nBeethoven: Symphony No.8 in F major, Op.93\n\n[London Symphony Orchestra\n\n[Recording] 22-25.XI.1972, Kingsway Hall, London (Stereo)\n\n\n\nDisc 5\n\nBeethoven: Piano Concerto No.3 in C minor, Op.37\n\n[Hans Richter-Hauser (Piano)\n\nPhilharmonia Orchestra\n\n[Recording] 20.IV.1963, No. 1 Studio, Abbey Road, London (Stereo)\n\n\n\nDisc 6\n\nBeethoven: Violin Concerto in D major, Op.61\n\n[Performed by] Itzhak Perlman (Violin)\n\nPhilharmonia Orchestra\n\n[Recorded 14-15.IX.1980, No. 1 Studio, Abbey Road, London (Stereo)\n\n\n\nDisc 7.\n\nBeethoven: Mass in C major, Op.86\n\n[With] Ellie Amerling (soprano),Janet Baker (mezzo-soprano)\n\nTheo Altmaier (tenor), Marius Rinzler (bass)\n\nNew Philharmonia Chorus \u0026amp; Orchestra\n\n[Recorded 15-18.IX.1970, All Saints Church, Tooting, London (Stereo)\n\n\n\nDisc 8\n\nBeethoven: Missa solemnis in D major, Op.123\n\n[Heather Harper (soprano), Janet Baker (mezzo-soprano)\n\nRobert Thier (tenor),Hans Zotin (bass)\n\nNew Philharmonia Chorus\n\nLondon Philharmonic Orchestra\n\n[Recorded 1-10.V.1975, Kingsway Hall, London (Stereo)\n\n\n\nDisc 9\n\nBerlioz: Dramatic Symphony \"Romeo and Juliet\" Op.17\n\n[Chicago Symphony Orchestra\n\n[Recorded 13-15.X.1969, Medinah Temple, Chicago (Stereo)\n\n\n\nDisc 10\n\n1 ) Boccherini: Overture in D major, Op..43\n\n2-5) Boccherini: Symphony in C minor, Op.41\n\n6-9) Haydn: Symphony No.94 in G major \"Astonishment\n\n[Philharmonia Orchestra\n\n[Recording] 4 \u0026amp; 5 (6-9), 5 \u0026amp; 8 (2-5), X.1956, Kingsway Hall, London Boccherini:Cello Concerto in B flat major, G482\n\n[János Starker, cello\n\nPhilharmonia Orchestra\n\n[Recording] 29-30 (1-3), 30 (4-6) V.1958, Kingsway Hall, London (Stereo)\n\n\n\nDisc 12\n\nBrahms: Symphony No.1 in C minor, Op.68\n\n[Philharmonia Orchestra\n\n[Recording] 16-17.I.1961, Kingsway Hall, London (Stereo)\n\n\n\nDisc13》\n\nBrahms: Symphony No.2 in D major, Op.73\n\n[Philharmonia Orchestra\n\n[Recording] 10-12.X.1962, Kingsway Hall, London (Stereo)\n\n\n\nDisc 14\n\nBrahms: 1-4) Symphony Nos.\n\n1-4) Symphony No.3 in F major, Op.90\n\n5) Tragic Overture, Op.81\n\n[Philharmonia Orchestra\n\n[Recording] 12.X \u0026amp; 9-12.XI.1962 (1-4), 12.XI.1962 (5), 12.XI.1962 (5)\n\nKingsway Hall, London (Stereo)\n\n\n\nDisc 15\n\n1-4) Brahms: Symphony No.4 in E minor, Op.98\n\n5) Weber: Overture to \"The Magic Bullet\", Op.77 (first recording)\n\n[New Philharmonia Orchestra\n\n[Recording] 23.IV \u0026amp; 12.VIII.1968, Kingsway Hall, London (1-4)Brahms: Symphony No.4 in E minor, Op.98\n\n[Chicago Symphony Orchestra\n\n[Recording] 15.X.1969, Medinah Temple, Chicago (Stereo)\n\n\n\nDisc 17\n\nBrahms:Piano Concerto No.1 in D minor, Op.15\n\n[Alexis Weissenberg (Piano)\n\nLondon Symphony Orchestra\n\n[Recording] 29-30.XI.1972, Studio No. 1, Abbey Road, London (Stereo)\n\n\n\nDisc 18\n\nBrahms: PianoAnno Concerto No.1 in D minor, Op.15\n\n[Claudio Arrau (Piano)\n\nPhilharmonia Orchestra\n\n[Recorded 21-23.IV.1960, No. 1 Studio, Abbey Road, London (Stereo)\n\n\n\nDisc 19\n\nBrahms: Piano Concerto No.2 in B flat major, Op.83\n\n[Claudio Arrau (Piano)\n\nPhilharmonia Orchestra\n\n[Recording] 21-22.IV.1962, No. 1 Studio, Abbey Road, Abbey RoadLondon (Stereo)\n\n\n\nDisc 20\n\nBrahms: Violin Concerto in D major, Op.77\n\n[With] Itzhak Perlman (Violin)\n\nChicago Symphony Orchestra\n\n[Recording] 30.XI \u0026amp; 1.XII.1976, Medinah Temple, Chicago (Stereo)\n\n\n\nDisc 21\n\nBritten: 1-4) Four Seas\n\n1-4) Four Sea Interludes, Op.33a\n\n5-19) Introduction to Orchestral Music for Youth, Op.34\n\n[Philharmonia Orchestra\n\n[Recording]2, 4 (5-19) \u0026amp; 9 (1-4) X.1962, Kingsway Hall, London (Stereo)\n\n\n\nDisc 22\n\nBruckner: Symphony No. 2 in C minor (Novak version)\n\n[Vienna Symphony Orchestra\n\n[Recording]8-10.XII.1974, Musikvereinssaal, Vienna (Stereo)\n\n\n\nDisc 23\n\nBruckner: Symphony No. 9 in D minor (Novak version)\n\n[Chicago Symphony Orchestra\n\n[Recording]1-2.XII.1976, Medinah Temple, Chicago (Stereo)\n\n\n\nDisc 24.\n\nCherubini: Requiem in C minor\n\n[Orchestra \u0026amp; Choir of the Accademia Nazionale di Santa Cecilia\n\n[Recorded 10.VII.1953, Rome (Mono)\n\n\n\nDisc 25\n\nDebussy: 1-3) Symphonic Poems\n\n1-3) Symphonic Poem \"The Sea\", 4-6) Nocturne\n\n[Philharmonia Orchestra \u0026amp; Women's Chorus\n\n[Recordings] 11-13 \u0026amp; 19 (1-3), 14, 18-19, 25-26 (4-6) IV.1962, Kingsway Hall, London (Stereo)\n\nKingsway Hall, London (Stereo)\n\n\n\nDisc 26\n\nDvorak: Symphony No.7 in D minor, Op.70\n\n[London Philharmonic Orchestra\n\n[Recording] 28-29.IV.1976, No. 1 Studio, Abbey Road, London (Stereo)\n\n\n\nDisc 27.\n\nDvořák:.\n\n1-4) Symphony No.8 in G major, Op.88\n\n5) Scherzo Capriccioso, Op.66\n\n[Philharmonia Orchestra\n\n[I \u0026amp; 18, 19, 25.IV.1962, Kingsway Hall, London (Stereo)\n\n\n\nDisc 28\n\n1-4) Dvorak: Symphony No.9 in E minor, Op.95 \"From the New World\n\n5) Overture \"Carnival\", Op.92\n\n[Philharmonia Orchestra\n\n[Recordings]18-19, 24 \u0026amp; 27.I.1961 (1-4), 19.I.1961 (5),\n\nKingsway Hall, London (Stereo)\n\n\n\nDisc 29\n\n1-3) Dvorak: Cello Concerto in B minor, Op.104\n\n4-6) Saint-Saens:Cello Concerto No.1 in A minor, Op.33\n\n[Mstislav Rostropovich (cello)\n\nLondon Philharmonic Orchestra\n\n[Recording] 29-30.IV. \u0026amp; 1.V.1977, Studio No.1, Abbey Road, London (Stereo)\n\n\n\nDisc 30\n\n1-13) Fari13) Chia: Ballet Music \"Love is a Magician\n\n14-17) Ravel: Spanish Rhapsody\n\n18) Ravel: Pavane for a dead princess\n\n[Victoria de los Ángeles (soprano:3, 10, 12, 13)\n\nPhilharmonia Orchestra\n\n[Recordings] 16-17.X.1961 \u0026amp; 10.IV.1964, Kingsway Hall, London (1-13)(7-9) VI.1959,.\n\nKingsway Hall, London (Stereo)\n\n\n\nDisc 32\n\nFranck: 1-3) Symphony in D minor\n\n1-3) Symphony in D minor 4) Psyche\n\n[Philharmonia Orchestra\n\n[Recording]29-30.VII.1957, Kingsway Hall, London (1-3)and others\n\nParis Vocal Ensemble\n\nOrchestre de la Concert Association de la Conservatoire de Paris\n\n[Recording] 26-31.VII.1952, Festival d'Aix-en-Provence (Mono)\n\n\n\nDisc 35.\n\nMahler:Symphony No.1 in D major \"Titan\n\n[Performed by] Chicago Symphony Orchestra\n\n[Recorded 30.III.1971, Medinah Temple, Chicago (Stereo)\n\n\n\nDisc 36\n\nMozart: 1-3) Piano Concertos\n\n1-3) Piano Concerto No. 9 in E-flat major, K. 271 \"Jeune\n\n4-6) Piano Concerto No.21 in C major, K.467\n\n[Alexis Weissenberg (Piano)\n\nVienna Symphony Orchestra\n\n[Recording] 23-25.VI.1978, Simmeringer Hof, Wien (Stereo)\n\n\n\nDisc 37\n\nMozart: Requiem in D minor, K.626\n\n[Helen Donato (Soprano), Robert Thier (Tenor)\n\nChrista Ludwig (mezzo-soprano),Robert Lloyd (bass)\n\nPhilharmonia Orchestra \u0026amp; Chorus\n\n[Recording] 1978.IX.1978, Kingsway Hall, London (Stereo)\n\n\n\nDisc 38-39\n\nMozart: Opera \"Don Giovanni\" K.527\n\n[Eberhard Wächter (Don Giovanni)\n\nJohn Sutherland (Donna Anna)\n\nGiuseppe Taddei (Leporello)\n\nGotthrope Frick(Knight Commander)\n\nElisabet Schwarzkopf(Donna Elvira)\n\nLuigi Alva (Don Ottervio)\n\nPiero Capuccilli (Mazzetto)\n\nGraziella Schutti (Zerlina)\n\nPhilharmonia Orchestra \u0026amp; Chorus\n\n[Recorded 7-15.X \u0026amp; 23-24.XI.1959, Studio No.1, Abbey Road, London (Stereo)\n\n\n\nDisc 40-41.\n\nMozart:The Marriage of Figaro K.492\n\n[Performed by GiuseppeTaddei (Figaro)\n\nAnna Moffo (Susanna)\n\nEberhard Wächter (Count Almaviva)\n\nElisabet Schwarzkopf (Countess)\n\nFiorenza Cossotto (Cherubino)\n\nIvo Vinco (Bartolo),and others\n\nPhilharmonia Orchestra \u0026amp; Chorus\n\n[Recordings] 17-19, 21-25, 27.IX \u0026amp; 21.XI.1959, Kingsway Hall, London (Stereo)\n\n\n\nDisc 42.\n\nPergolesi: Opera \"To the Mistress\" (opera)The Servant Who Was\n\n[Nicola Rossi-Lemeni (bass:Uberto)\n\nRosanna Cartelli (Soprano:Serpina)\n\nOrchestra Teatro alla Scala, Milan\n\n[Recording] 29-31.V.1955, Piccolo Teatro de la Scala, Milan (Mono)\n\n\n\nDisc 43.\n\nRossini: Overtures\n\n1) \"Cenerentola\" 2) \"Tancredi\" 3) \"The Dorobo Kasagi\n\n4) \"Semiramide\" 5) \"William Tell\n\n[Philharmonia Orchestra\n\n[Recordings]13 (5) \u0026amp; 14 (4) XII.1962, 1-3.IV.1964 (1-3), Kingsway Hall, London (Steinway Hall)\n\nKingsway Hall, London (Stereo)\n\n\n\nDisc 44\n\nRossini: Overtures\n\n1) The Italian Lady of Algiers 2) The Barber of Seville\n\n3) \"Mr. Bruschino\" 4) \"The Silk Ladder\n\nVerdi: Overtures,Preludes\n\n5) The Power of Fate 6) Prelude to Act I from La Traviata\n\n7) \"La Traviata\" - Prelude to Act III 8) \"Evening Prayer in Sicily\n\n[Philharmonia Orchestra\n\n[Recording] 1.VI.1958 (5 \u0026amp; 8), 31.V (6), 31.V \u0026amp; 2.VI (7) 1958, Studio No. 1, Abbey RoadPi (Hari)\n\nOrchestra \u0026amp; Chorus of Teatro alla Scala, Milan\n\n[Recording] 5-7 \u0026amp; 9-12.VIII.1954, Teatro alla Scala, Milan (Mono)\n\n\n\nDisc 47\n\n1-3) Schumann: Cello Concerto in A minor, Op.129\n\n4-6) Saint-Saens:Cello Concerto No.1 in A minor, Op.33\n\n[János Starker, cello\n\nPhilharmonia Orchestra\n\n[Recording] 16 (4-6) \u0026amp; 17 (1-3) IX.1957, Kingsway Hall, London (Stereo)\n\n\n\nDisc 48\n\n1-2) Schubert: Symphony No.8 in B minor, D.759 \"Unfinished\n\n3-12) Brahms: Variations on a Theme by Haydn, Op.56a\n\n[Philharmonia Orchestra\n\n[Recording] 25-26.I.1961 (3-12), 25-27-I.1961 (1-2), Kingsway Hall, London (Stereo)\n\n\n\nDisc 49\n\nSchumann: 1-5) Symphony No.3 in E-flat major, Op.97 \"Rhein\n\n1-5) Symphony No.3 in E-flat major, Op.97 \"The Rhine\n\n6) \"Manfred\" Overture, Op.115\n\n[Philharmonia Orchestra\n\n[Recording]2 (6) \u0026amp; 3-4 (1-5) VI.1958, Studio No. 1, Abbey Road, London (Stereo)\n\n\n\nDisc 50\n\nStravinsky: 1-9)\n\n1-9) \"Petrushka\" Suite (1947 version)\n\n10-15) \"The Firebird\" Suite (1919 version)\n\n[Performed by] Chicago Symphony Orchestra\n\n[Recorded 13-15.X.1969, Medinah Temple, Chicago (Stereo)\n\n\n\nDisc 51\n\n1-6) Stravinsky: \"The Firebird\" Suite\n\n7-11) Bizet: Suite from \"Child's Play\n\n12-16) Ravel: Suite \"Ma mère roi\n\n[Philharmonia Orchestra\n\n[Recordings]2-3.X.1956 (1-6), 2 \u0026amp; 7.X.1956 (7-11), 9-10.X.1956 (12-16),\n\nKingsway Hall, London (Stereo)\n\n\n\nDisc 52\n\n1-4) Tchaikovsky: Symphony No.2 in C minor, Op.17 \"Little Russia\n\n5) Mussorgsky(R=Korsakov): Symphonic Poem \"A Night on Bald Mountain\n\n[Philharmonia Orchestra\n\n[Recordings] 27-29.IX.1956 (1-4), 29.IX.1956 (5), Kingsway Hall, London (Stereo)\n\n\n\nDisc 53\n\nTchaikovsky:Symphony No.6 in B minor, Op.74 \"Pathetique\n\n[Philharmonia Orchestra\n\n[Recorded 2-4.VI.1959, Kingsway Hall, London (Stereo)\n\n\n\nDisc 54》\n\nTchaikovsky: 1 ) Overture to Romeo and Juliet\n\n1 ) Fantasy Overture \"Romeo and Juliet\n\n2-5) Fantasy \"Francesca da Rimini\n\n6-11) Symphony No. 5 (rehearsal excerpts) [first sound recording]\n\n[Philharmonia Orchestra\n\n[Recording]9-10 (1) \u0026amp; 10-11 (2) IV.1962 (1-5), 26.\n\nKingsway Hall, London (Stereo)\n\n\n\nDisc 55\n\nVerdi: Four chants\n\n[With] Janet Baker (Mezzo-soprano)\n\nPhilharmonia Orchestra Chorus\n\n[Recorded 12 \u0026amp; 13.XII.1962, Kingsway Hall, London (Stereo)\n\n\n\nDisc 56\n\nVerdi:Requiem\n\n[Elisabeth Schwarzkopf (soprano)\n\nChrista Ludwig (Mezzo-soprano)\n\nNicolai Gedda (Tenor)\n\nNicoRai Gyaurov (bass)\n\nPhilharmonia Orchestra Chorus\n\n[Recordings] 16-21 \u0026amp; 23-27.IX.1963, 7.IV.1964, Kingsway Hall, London (Stereo)\n\n\n\nDisc 57-59\n\nVerdi: \"Don Carlo\" (opera in 5 acts)\n\n[Placido Domingo (Don Carlo)\n\nMontserrat Cavalier (Elisabetta)\n\nShirley Verlett (Princess Eboli)\n\nCheryl Milnes (Rodrigo)\n\nRuggiero Raimondi (Philip II)\n\nGiovanni Foiani (Grand Inquisitor)\n\nSimon Estes (Monk),and others\n\nAmbrosian Opera Chorus\n\nRoyal Opera House Orchestra of Covent Garden\n\n[Recorded 18-31.VIII.1970, Walthamstow Town Hall, London (Stereo)\n\n\n\nDisc 60\n\nVivaldi: 1-12) Concertos\n\n1-12) Concerto Collection \"The Four Seasons\" (complete) [original monaural version]\n\n13-15) Concertos \"Four Seasons\" - \"Spring\" [Stereo Test Recording: First Release] 16-18) Concertos \"Four Seasons\" - \"Spring\" [Stereo Test Recording: First Release\n\n16-18) Concertos \"Four Seasons\" ~ \"Summer\" [stereo test recording: first sound source] (original monaural version)\n\n19-21) Concertos \"Four Seasons\" ~ \"Autumn\" [test-recorded in stereo]\n\n22) Rehearsal of the 3rd movement of \"Winter\" from the concerto \"The Four Seasons\" [stereo test recording: first sound source].\n\n[Manoog Parikian (Violin)\n\nPhilharmonia Orchestra\n\n[Recording] 29-30.IX \u0026amp; 1-2.X.1955 (1-12 Mono, 13-22 Stereo), Studio No. 1, Abbey Hall\n\nStudio No. 1, Abbey Road, London\n\n\n\nPerformer]\n\nCarlo Maria Giulini, conductor\n\n\n\nJune 14, 2025,20th anniversary of the death of Carlo Maria Giulini\n\nCommemorative box with the latest remastered recordings from the original master tapes\n\n\n\nFor the first time, all studio recordings by the master conductor Carlo Maria Giulini for Columbia and HMV (plus two recordings for Pathé and Electrola) have been high-resolution remastered from the original tapes and compiled in a 60-CD The box contains all previously unreleased and unreleased studio recordings. The box includes previously unreleased recordings: the overture to \"The Magic Bullet\" from 1969, stereo versions of \"Spring\" and \"Summer\" from Vivaldi's \"Four Seasons,\" plus a rehearsal of \"Winter\" (1955), and a rehearsal excerpt from Tchaikovsky's \"Symphony No. 5\" from excerpt from Tchaikovsky's \"Symphony No. 5\" (1962).\n\n\n\n* All 96kHz\/24-bit remastered recordings prior to 2020 have also been newly remastered at 196kHz\/24-bit, thus making them all available as 196kHz\/24-bit remastered recordings.\n\n(Some of the sound sources have been remastered at 196 kHz\/24-bit after 2020.)\n\nNatan Milshtein\/Prokofiev: Violin Concerto\", which was included in the previous box, is not included in this box because it is a U.S. Columbia:U.S. Capitol recording and the current rights are owned by Universal.\n\nThe lyrics and bilingual translation are not included in this box.\n\n\n\nThis collection is the result of Carlo Maria Giulini's collaboration with the prestigious London orchestras, the Philharmonia Orchestra and the London Philharmonic Orchestra, whom he adored, and later, colored by mutual respect and affection, some of the greatest performances in the orchestra's history The recordings made during the legendary partnership with the Chicago Symphony Orchestra and several collaborations with La Scala, the Royal Opera House, the Paris Conservatory Orchestral Society, and the Vienna Symphony Orchestra are a comprehensive testimony to the orchestra's long and distinguished history.\n\n\n\nRespectful and deeply emotional interpretations of Beethoven, Brahms, and Schumann; heavenly masterful performances of the 1959 \"Don Giovanni\" and \"The Marriage of Figaro\"; thrilling overtures by Verdi and Rossini; vivid and colorful Debussy, Ravel, and Falla, Stravinsky; iconic concerto performances with virtuosos Itzhak Perlman and Mstislav Rostropovich; majestic, intensely expressive interpretations of Berlioz, Bruckner, and Mahler...all this and much more makes this anthology absolutely indispensable testament to the art of one of the finest conductors of our time.\n\n\n\nCarlo Maria Giulini was a conductor par excellence, respected equally by orchestra members and soloists alike for his humility and sensitivity. As he said with legendary humility, \"I don't want to say that I conducted them. Rather, I want to say that I created music with these great musicians, these human beings.\"\n\n\n\nAs British critic and musicologist Tully Potter points out in the box's liner notes, \"If there is a common denominator among the diverse performances in this box, it is perhaps Carlo Maria Giulini's unparalleled ability to bring a unique spiritual brilliance to orchestral and choral tone. He devoted himself unreservedly to the project. He gave so generously of himself that when he died in Brescia on June 14, 2005, at the age of 91, former chorus members and orchestra members felt as if they had lost a friend.\"\n\n\n\nRemy Louis, on the other hand, concludes his text in French. In many ways, Giulini left an indelible impression on his successors, who were distinctly different in character: Myung-Whun Chung, Simon Rattle, Yannick Nézet-Séguin. That in itself is an eloquent testament. Chung, another spiritualist, sees Giulini as a \"sacred musician,\" and others even see him as St. Sebastian. So much so that it is painful to describe the beauty of the music.But in its many nuances and transformations, there is no doubt that everyone recognizes in this master's legacy what Walter Legg himself called the 'brilliant halo' emanating from Carlo Maria Giulini.\"\n\n\n\n(Warner Music)\u003c\/p\u003e","brand":"Warner Classics","offers":[{"title":"Default Title","offer_id":51313132962081,"sku":"5021732441218","price":14000.0,"currency_code":"PHP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/8482\/2076\/files\/5021732441218.jpg?v=1748337311","url":"https:\/\/cdsvinyljapan.com\/en-ph\/products\/5021732441218","provider":"CDs Vinyl Japan Store","version":"1.0","type":"link"}