{"product_id":"4580187181267","title":"Murahachibu - mitasai 1972 - Japan Vinyl 2 LP Record","description":"\u003cp\u003eCredits:\u003c\/p\u003e\u003cp\u003eMurahachibu\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eDescription:\u003c\/p\u003e\u003cp\u003eMakoto Kubota's latest remastering of Murahakubu's live performance on the outdoor stage on the eve of Keio University's Mita Festival in November 1972 is now available in analog format for the first time! Maki Asakawa and others performed inside the classrooms, and Tounou Keisatsu and others appeared on the outdoor stage, with Murahachibu performing as the last act. The audience was a mix of students and politically minded groups, with about 300 people in attendance.In the midst of a stormy atmosphere, with drunken audience members storming the stage and rocks and Molotov cocktails being thrown, the live performance by the brain police was over, and now the audience was just waiting for the last of the Murahachibu to come on stage. While the staff, sensing the dangerous atmosphere in the venue, was considering whether to continue the live performance, Fujio went to the stage alone with his guitar in his hand. The other members hurried to follow him and the performance began. Fujio later testified that he chose the slow song \"Tired\" as the first song to cool down both the band and the audience. During the performance of \"Nigero,\" vocalist Chabo yells at the audience, presumably in response to the audience throwing rocks at the stage.In the midst of such chaos, Chabo unleashed an impromptu lyric in \"Doraneko\" that said, \"Everything in the world has to be redone, right and left. Chabo, who was still in his early twenties at the time, had such a strong appearance that it was hard to believe he was still in his early twenties, and his performance was so sharp that it seemed to incite the audience to riot. The first release in 2000 used a master that was a mix of two different recordings; the 2019 reissue features a newly unearthed copy of the tape that was used for the main performance, and the damaged parts of the tape have been preserved in good condition. The 2019 reissue features a newly unearthed copy of the tape that had been preserved in good condition with the damaged parts of the main tape.The existing master tapes were re-digitized and repaired any damage, and re-edited, including mixing with other sources. This first analog release uses the masters from the 2019 reissue, with the latest remastering by Makoto Kubota, who testified that he was shocked by the live performance on November 23, 1972 at the Keio University Mita FestivalVocal: Kazushi Shibata Guitar: Fujio Yamaguchi Guitar: Satoshi Asada Bass: Yoshiaki Kato Drums: Shigeto Murase Satoshi Asada Bass: Yoshiaki Kato Drums: Shigeto Murase\u003c\/p\u003e","brand":"Goodlovin' Production \/ Tuff Beats","offers":[{"title":"Default Title","offer_id":50032482877729,"sku":"4580187181267","price":39.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/8482\/2076\/files\/4580187181267.jpg?v=1722128697","url":"https:\/\/cdsvinyljapan.com\/en-de\/products\/4580187181267","provider":"CDs Vinyl Japan Store","version":"1.0","type":"link"}