{"product_id":"4589538820350","title":"Jelly D'Aranyi   -  Jelly D'Aranyi   -  Import CD","description":"\u003cp\u003eCredits:\u003c\/p\u003e\u003cp\u003eJelly D'Aranyi \u003cbr\u003e\u003c\/p\u003e\u003cp\u003eDescription:\u003c\/p\u003e\u003cp\u003e[Dallani, who inspired Ravel and Bartók to write their masterpieces, collects the small works he recorded for British Columbia.\n\nIf you have studied the history of Ravel's Tzigane and Bartók's two violin sonatas, you may recognize the name Jéry Dalányi as the violinist to whom they were dedicated and who performed them with the composer.\n\nBorn in Hungary in 1893, the youngest of three sisters, Jely initially studied piano and gave his first concert at the age of six, but at age eight his talent was recognized by his older sister Adira's violin teacher. At the age of 10, he played a concerto by Spohr in front of his great-uncle Joseph Joachim, who promised to teach him in the future, but Joachim died before Jely was old enough to play, and he was largely self-taught thereafter. However, Joachim died before Yelie could grow up, and she continued to play the violin almost exclusively on her own. Perhaps because of this, Adira has a refined style, while her younger sister Yery has the image of being wild and uninhibited.\n\nYerry moved to England in her teens with her older sister, Adira (known by her married name, Fakihri), and played solo, in a duo with her sister, and in a duo and trio with Myra Hess. Her recital at the Wigmore Hall was praised by The Times as \"setting an example of what can be done with tone and how tone should be,\" and she appeared 43 times at the Proms. As the muse of the European musical world before World War II, he attracted many audiences, performers, and composers, and received dedications and premiered new works.\n\nAccording to the label, there is no record of her recording of Ravel's Tzigane or Bartók's Sonata, to which Yeley was dedicated, and this album is a reissue of all the small piece recordings she made for British Columbia. The quality of the disc was good, or perhaps it was a SP reissue, but the sound was low-noise, and the main violin part was also recorded, allowing the listener to hear the lustrous high notes and the use of vibrato. One of the charms of this kind of reissue is that we can learn what was popular at that time through music rarely heard in the present age. The Mozart piece in the margins is a Vocalion recording, which is a little noisy and the cadenza has been cut off.\n\nNaxos Japan\u003c\/p\u003e","brand":"Biddulph Recordings","offers":[{"title":"Default Title","offer_id":51099290665249,"sku":"4589538820350","price":17.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/8482\/2076\/files\/4589538820350.jpg?v=1743185517","url":"https:\/\/cdsvinyljapan.com\/de-de\/products\/4589538820350","provider":"CDs Vinyl Japan Store","version":"1.0","type":"link"}